New materials like conductive thread, piezoresistive textiles and carbon fiber make it possible to build compelling
new gesture and musical instrument controllers in minutes and hours. This document showcases some ideas using these new materials.
The most frequently asked question at my Maker Faire presentation of these was: where do I get the fabrics?
The conductive fabrics and plastic (velostat) can be found at the retailer http://www.lessemf.com. Some of the silver fabrics and zippers can be bought from http://www.shieldextrading.net/. The pressure sensitive fabric is made by http://www.eeonyx.com. The conductive paper is retailed by http://www.pasco.com.
The next most frequently asked question was: Where can I learn to do that? One good way is to come to my sensor workshop which is open to the public and taught during the third week of July. Oops. The workshop is full this year. Contact me for other opportunities to learn.
Then everybody wanted to know what the controllers "sound like". Well that depends on the synthesis you control with them. I will be blogging videos illustrating some useful mappings in the coming months.
This simple controller is inspired by the south African kalimba. The kalimba lends itself to rapid assembly because of its use of a single central bar held down by two screws to trap the array of tines between two pivot points.

Wooden tines are used in this prototype because they are faster to shape than the traditional metal and this controller doesn’t require the tines to be tuned. The flexibility of copper tape is exploited as strips follow the contour of the flat base around the curve of a half-round pressure pivot. Each tine is covered in conductive copper tape. Trapped between this copper strip and the base strip is a piece of peizoresistive fabric. The rear pivot of the tines also has a copper strip which is a grounding bus for the tines. The 18f2550 on the controller board has 10 ADC’s and sends an OSC-encoded estimate of the voltage formed by a pull-up resistor and the variable resistance pressure sensor of each tine. Notice that the length of each base copper strip is trimmed to simplify the wiring flow of the conductors to the microcontroller.

The tines can be used in the traditional fashion to define the size of a “pluck”. Also they can be used as bend sensors after the pluck.
These variations on the slide potentiometer theme employ conductive carbon paper (from Pasco) or conductive plastic (velostat) and a giant paper clip. Like pots the value of this arrangements is the physical memory of the value. Note at the back how the potentiometer wiper is connected to a conductor. This is typically achieved in a conventional pot using a conductive strip next to the resistive strip. That approach is also possible. I found that the conductive tape (Laird) added friction which helps lock the slide in position.
The rubber band is shorted to the copper tape conductor. This provides separate variable resistive paths between the copper and the bulldog clips at each end of the band. To save wiring pull up resistors I simply clamp with another bulldog clip in the middle of the band on the other side of the plexiglass.
A pair of SlideWide sensors (http://infusionsystems.com) are stuck to each other at right angles.


This duo pad was part of our public demonstration at Maker Faire 2007:
This design uses four layers: flexible conductive fabric, air gap, piezoresistive felt and conductive tape to implement a dual position sensor with pressure. The two dark areas next to the sensor are paper resistors for expediency.
This color synthesizer uses finger pressure to control brightness of each color of an RGB Led array. It was designed to illustrate that fabric and organic conductors can handle high current levels with modulations of low resistance values and some geometric variations that exploit switching materials.
Eeontex fabric and Laird conductive tape with conductive adhesive arranged to create 3 independent pressure sensing points.
This controller with no direct antecedents was inspired by recently available conductive stretchable fabric and a curve known as the witch [sic] of Agnesi.


Another style involves both hands interacting from the outer hoop towards and around the base of the bowl.
You can put it on the ground and use it as multiple foot “pedals”. I might make it wireless and put it on a cake decorating stand.
By cutting a small disk of piezoresistive fabric with a central hole I retrofitted a higher resistance range pressure sensor into the Sparkfun clone of a Monome pad.

THe Monome (http://monome.org) interfaces are square arrays of illuminated switches interfaced over USB using OSC messaging.
A large part of the desirability of this interface is the tactile quality of the buttons which comes from careful design of the silicone molding. Each button has a ring of conductive rubber attached to connect with a circular array of interdigitated contacts. The conductivity of this connection does change with pressure but the conductivity is so good it is hard to measure the change accurately.
This bobbin is laced with conductive thread. The thread is pushed against the conductive tape on the interior. Up to two string depressions can be sensed independently. Thanks to Natalie Freed for constructing this prototype.
Fabric touch sensor demonstration with capacitive sensing on fabric conductors behind felt.
Uses a Qprox development board