A work for piano and electronics, written by Brian Kane for pianist Sebastian Berweck. The electronics are based on a recording of shovelling mud, and processed in two ways: 1) a special, homemade MAX/MSP patch; 2) in SuperCollider, running a set of classes that read MEAPSoft data--as if you cared!
Sebastian Berweck, piano. Recorded live on November 5, 2007 at Payne Hall, Harvard University, Cambridge, MA.

This is a unusual piece for piano and electronics, written for Sebastian Berweck. The electronics are based of recordings of shovelling mud and the piano part involves a variety of transcriptions. Here's the original program note:

“Distance, no matter how close the object may be.” – Walter Benjamin

In Samuel Beckett’s Cascando, voice and music, although often simultaneous, remain worlds apart. Perhaps now it is time to do the same with music and music.