The branch of knowledge that deals with the principles of human behaviour; the study of morality; ethics.



Why do we create art and what do we expect it to do? This is the question posed in 68. In the beginning we witness the creative act: a poet, writing and speaking out the earliest fragments of his poems; discovering through experiment his voice, both physically and figuratively.



The large-scale form for ME mirrors the classic seven yogic steps as follows:

1. Preconscious ME, Open Vowel Space
2. ME Builds the Language Wall
3. ME Sings His Narcissistic Canon
4. ME Sings His Greatest Song
5. ME Speaks to the Crowd.
6. ME Speaks to His Prompter
7. ME Is Cast Into the Future and Dies

Edmund Campion, music
John Campion, text and concept


Melodrama, nach Beethoven

Beethoven’s Melodram, for glass harmonica with recitation, was composed in 1814 as incidental music for Friedrich Duncker’s drama entitled Leonore Prohaska. My Melodrama, for electronic medium, was composed in 2003 as a long coda, attached to the end of Beethoven’s trifle.


Another Cascando (...that's what counts...face in the mud...)

This is a unusual piece for piano and electronics, written for Sebastian Berweck. The electronics are based of recordings of shovelling mud and the piano part involves a variety of transcriptions. Here's the original program note:

“Distance, no matter how close the object may be.” – Walter Benjamin


A Complete Wealth of Time (ACWOT)

A Complete Wealth of Time (duration 17') (1989-90), for two pianos was composed while the composer was in France on a Fulbright Scholarship working with Gérard Grisey.