2008
Room Acoustics Measurements with an Approximately Spherical Source of 120 Drivers,
, ASA-EAA Joint Conference, 6/29/2008, Paris, FR, (2008)
Abstract | PDF
2007
CNMAT Information Infrastructure,
, International Computer Music Conference, 27/09/2007, Volume 1, Copenhagen, Denmark, p.325-328, (2007)
Abstract | PDF
Harmonic Expectation and Affect in Western Music: Effects of Attention and Training,
, Perception & Psychophysics, 10/2007, Volume 69, Issue 7, p.1084-1092, (2007)
Abstract | PDF
A Force Sensitive Multi-touch Array Supporting Multiple 2-D Musical Control Structures,
, New Interfaces for Musical Expression, 07/06/2007, New York, p.41-45, (2007)
Abstract | PDF
Optimizing Hearing Aids for Music Listening,
, 19th International Congress on Acoustics, 02/09/2007, Madrid, Spain, (2007)
Abstract | PDF
Perceiving new music recruits flexible neural mechanisms,
, Cognitive Neuroscience Society, p.48, (2007)
Realtime Multiple-Pitch and Multiple-Instrument Recognition for Music Signals Using Sparse Non-Negative Constraints,
, 10th International Conference on Digital Audio Effects (DAFx-07), p.85-92, (2007)
Abstract | PDF
2006
An Enactive Approach to Computer Music Performance,
, Le Feedback dans la Creation Musical, Lyon, France, p.93-98, (2006)
Abstract | PDF
A Compact 120 Independent Element Spherical Loudspeaker Array with Programmable Radiation Patterns,
, Audio Engineering Society 120th Convention, Paris, France, p.Convention Paper No. 6783, (2006)
Abstract | Full-Text
Augmenting the Cello,
, International Conference on New Interfaces for Musical Expression, Paris, France, p.409-413, (2006)
Abstract | Full-Text
Attentional Fluctuations Across Frequency and Amplitude: a Dual-Task Study,
, Cognitive Neuroscience Society (Poster Presentaton), San Francisco, California, p.84, (2006)
Abstract
Acquiring New Musical Grammars: a Statistical Learning Approach,
, 9th International Conference for Music Perception and Cognition, Bologna, Italy, p.1009-1017, (2006)
Abstract | PDF
Acquiring New Musical Grammars: a Statistical Learning Approach,
, 28th Annual Conference of the Cognitive Science Society, Vancouver, Canada, p.1711-1716, (2006)
Abstract | PDF
2005
Combining Audio And Gestures For A Real-Time Improviser,
, International Computer Music Conference, Barcelona, Spain, p.813-816, (2005)
Abstract | PDF
Harmonic Expectation, Selective Attention, and Affect in Music,
, Neuroscience and Music Conference, Leipzig, Germany, (2005)
Abstract
Multi-Instrument Musical Transcription Using Dynamic Graphical Model,
, IEEE International Conference on Acoustics, Speech, and Signal Processing, Philadelphia, PA, USA, p.493-496, (2005)
Abstract | PDF
Optimal Positioning in Low-dimensional Control Spaces using Convex Optimization,
, International Computer Music Conference, Barcelona, Spain, p.379-382, (2005)
Abstract | PDF
2004
Characterization of Spherical Loudspeaker Arrays,
, 117th Audio Engineering Society Convention, San Francisco, CA, p.Convention paper #1430, (2004)
Abstract | PDF
Max/MSP Programming Practice with OSC,
, Open Sound Control Conference, Berkeley, CA, (2004)
Music Perception and Cognition Experiments in a Classroom Setting: Temporally Precise Hardware and Software.,
, 8th International Conference on Music Perception and Cognition, Evanston, Illinois, p.642, (2004)
Panel: Standards from the Computer Music Community,
, International Computer Music Conference, Miami, FL, p.711-714, (2004)
Abstract | PDF
2003
Characterizing and Controlling Musical Material Intuitively with Geometric Models,
, Proceedings of the 2003 Conference on New interfaces for Musical Expression, Montreal, Canada, p.54-62, (2003)
Abstract | PDF
Design of Low-Order Filters for Radiation Synthesis,
, 115th Audio Engineering Society Conventtion, New York, NY, p.Convention Paper 5925, (2003)
Abstract | PDF
2002
Synopsis of reverberation enhancement systems,
, Proceedings of the 3rd European Congress on Acoustics, 2002/09/16, Sevilla, Spain, (2002)
Abstract | PDF
Intimate Musical Control of Computers with a Variety of Controllers and Gesture Mapping Metaphors,
, International Conference on New Interfaces for Musical Expression (NIME), Dublin, Ireland, p.171-173, (2002)
Abstract | PDF
Intimate musical control of computers with a variety of controllers and gesture mapping metaphors,
, Proceedings of the 2002 conference on New interfaces for musical expression, p.1-3, (2002)
Abstract | PDF
Live interactive computer music and performance practice,
, Journal of the Acoustical Society of America, Volume 3, Issue 5, p.2348-2348, (2002)
PDF
Problems and Prospects for Intimate Musical Control of Computers,
, Computer Music Journal, Volume 26, Issue 3, p.11-22, (2002)
Abstract | PDF
Situated Trio: An Interactive Live Performance for a Hexaphonic Guitarist and Two Computer Musicians with Expressive Controllers,
, International Conference on New Interfaces for Musical Expression (NIME), Dublin, Ireland, p.171-173, (2002)
Abstract | Full-Text | PDF
2001
Controlling Loudspeaker Array Radiation in Three Dimensions,
, 111th Audio Engineering Society Convention, New York, NY, p.Convention Paper, (2001)
Listener Evaluation of Reduction Strategies for Sinusoidal and Resonance Models,
, International Computer Music Conference, Habana, Cuba, p.227-230, (2001)
PDF
Preparation for Interactive Live Computer Performance in Collaboration with a Symphony Orchestra,
, International Computer Music Conference, Habana, Cuba, p.310-313, (2001)
Full-Text | PDF
Problems and Prospects for Intimate Musical Control of Computers,
, ACM Computer-Human Interaction Workshop on New Interfaces for Musical Expression, Seattle, WA, (2001)
Abstract | PDF
2000
An XML-based SDIF Stream Relationships Language,
, International Computer Music Conference, Berlin, Germany, p.186-189, (2000)
Abstract | PDF
Scalable Connectivity Processor for Computer Music Performance Systems,
, International Computer Music Conference, Berlin, Germany, p.523-526, (2000)
Abstract | PDF
1999
A Fixed-Point Recursive Digital Oscillator for Additive Synthesis of Audio,
, IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), 1999/03/01, Phoenix, AZ, (1999)
Abstract | PDF
Audio Applications of the Sound Description Interchange Format Standard,
, Audio Engineering Society 107th Convention, p.preprint #5032, (1999)
Abstract | PDF
Exploration of Timbre by Analysis Synthesis,
, The Psychology of Music, San Diego, p.113-169, (1999)
Volumetric Modeling of Acoustic Fields for Musical Sound Design in a New Sound Spatialization Theatre,
, International Computer Music Conference, Beijing, China, p.488-491, (1999)
Abstract | Full-Text
1998
A 3D Graphical User Interface for Resonance Modeling,
, International Computer Music Conference, Ann Arbor, Michigan, (1998)
Abstract | PDF
An Improvisation Environment for Generating Rhythmic Structures Based on North Indian "Tal" Patterns,
, International Computer Music Conference, Ann Arbor, Michigan, p.125-128, (1998)
Abstract | Full-Text
Communication of Musical Gesture using the AES/EBU Digital Audio Standard,
, International Computer Music Conference, Ann Arbor, Michigan, p.220-223, (1998)
Abstract | Full-Text
New Applications of the Sound Description Interchange Format,
, International Computer Music Conference, Ann Arbor, Michigan, p.276-279, (1998)
Abstract | Full-Text
Preparation for Improvised Performance in Collaboration with a Khyal Singer,
, International Computer Music Conference, Ann Arbor, Michigan, p.497-503, (1998)
Abstract | Full-Text
Removing the Time Axis from Spectral Model Analysis-Based Additive Synthesis: Neural Networks versus Memory-Based Machine Learning,
, International Computer Music Conference, Ann Arbor, Michigan, p.62-65, (1998)
Abstract | Full-Text
Volumetric Modeling of Acoustic Fields in CNMAT's Sound Spatialization Theatre,
, Audio Engineering Society 104th Convention, San Francisco, CA, (1998)
Abstract | Full-Text | PDF
Volumetric Visualization of Acoustic Fields in CNMAT's Sound Spatialization Theatre,
, Institute of Electrical and Electronics Engineers Visualization 98, Research Triangle Park, NC, p.439-442&562, (1998)
Abstract | Full-Text
1997
A Novel Representation for Rhythmic Structure,
, International Computer Music Conference, Thessaloniki, Hellas, p.97-100, (1997)
Abstract | Full-Text
New Musical Control Structures from Standard Gestural Controllers,
, International Computer Music Conference, Thessaloniki, Hellas, p.387-390, (1997)
Abstract | Full-Text
1995
Soft computing for real-time control of musical processes,
, 1995 IEEE International Conference on Systems, Man and Cybernetics. Intelligent Systems for the 21st Century (Cat. No.95CH3576-7) 1995 IEEE International Conference on Systems, Man and Cybernetics. Intelligent Systems for the 21st Century, 1995/04/16, Vancouver, BC, Canada, p.2748-53 vol.3, (1995)
Abstract | PDF
1994
ZIPI—An Inexpensive, Deterministic, Moderate-Speed Computer Network for Music and Other Media,
, Audio Engineering Society 13th International Conference: Computer-Controlled Sound Systems, 1994/12/01, Dallas, TX, p.145-151, (1994)
A New Network and Communications Protocol for Electronic Musical Devices,
, International Computer Music Conference, Aarhus, Denmark, p.443-446, (1994)
PDF
Real-Time Additive Synthesis Controlled by a Mixture of Neural-Networks and Direct Manipulation of Physical and Perceptual Attributes,
, International Computer Music Conference, Aarhus, Denmark, p.362-363, (1994)
PDF
The ZIPI music parameter description language,
, Computer Music Journal, Volume 18, Issue 4, p.52-73, (1994)
Abstract
1993
Real-time neuro-fuzzy systems for adaptive control of musical processes,
, Applications of Fuzzy Logic Technology, 1993/04/16, Volume 2061, Boston, MA, p.464-75, (1993)
Abstract | Full-Text
1992
Neural networks for simultaneous classification and parameter estimation in musical instrument control,
, Adaptive and Learning Systems, 1992/04/16, Volume 1706, Orlando, FL, USA, p.244-55, (1992)
Abstract | PDF
An Adaptive Conductor Follower,
, International Computer Music Conference, San Jose, CA, p.454-455, (1992)
Full-Text
Connectionist Models for Musical Control of Nonlinear Dynamical Systems,
, Journal of Acoustical Society of America, Volume 92, Issue 4 Pt. 2, (1992)
Abstract | PDF
Connectionist models for real-time control of synthesis and compositional algorithms,
, International Computer Music Conference, San Jose, CA, p.277-280, (1992)
Abstract | PDF
1991
Let's Develop a Common Language for Synth Programming,
, Electronic Musician, 1991/08/01, (1991)
Full-Text
Instruments That Learn, Refined Controllers, And Source Model Loudspeakers,
, Computer Music Journal, Volume 15, Issue 4, p.82-86, (1991)
Full-Text
Improvisation with highly interactive real-time performance systems,
, International Computer Music Conference, Montreal, p.344-347, (1991)
Abstract | Full-Text
MAX Objects for Media Integration,
, International Computer Music Conference, McGill University, p.397-400, (1991)
Abstract | PDF
Real-Time Neural Network Processing of Gestural and Acoustic Signals,
, 17th International Computer Music Conference, Montreal, p.277-280, (1991)
Abstract | PDF
1990
A Multimedia Digital Signal Processing Tutoring System,
, International Computer Music Conference, Glasgow, UK, p.35-38, (1990)
PDF
1989
Timbre and the perceptual organization of musical patterns,
, Journal of Acoustical Society of America, Volume 86, Issue Supplement, p.S58, (1989)
PDF
The Center for New Music and Audio Technologies: Studio Report 1989,
, International Computer Music Conference, San Francisco, p.336-339, (1989)
Abstract | PDF
1979
Timbre Space as a Musical Control Structure,
, Computer Music Journal, 06/2007, Volume 3, Issue 2, p.45-52, (1979)
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