<?xml version="1.0" encoding="UTF-8"?>
<XML><RECORDS>
<RECORD>
	<REFERENCE_TYPE>31</REFERENCE_TYPE>
	<AUTHORS>
		<AUTHOR>Michael Zbyszynski</AUTHOR>
		<AUTHOR>Matthew Wright</AUTHOR>
		<AUTHOR>Ali Momeni</AUTHOR>
		<AUTHOR>Daniel Cullen</AUTHOR>
	</AUTHORS>
	<YEAR>2007</YEAR>
	<TITLE>Ten Years of Tablet Musical Interfaces at CNMAT</TITLE>
	<SECONDARY_TITLE>New Interfaces for Musical Expression</SECONDARY_TITLE>
	<PLACE_PUBLISHED>New York</PLACE_PUBLISHED>
	<PAGES>100-105</PAGES>
	<DATE>07/06/2007</DATE>
	<KEYWORDS>
		<KEYWORD>Wacom,</KEYWORD>
		<KEYWORD>tablet,</KEYWORD>
		<KEYWORD>Wacom</KEYWORD>
		<KEYWORD>tablet,</KEYWORD>
		<KEYWORD>digitizing</KEYWORD>
		<KEYWORD>tablet,</KEYWORD>
		<KEYWORD>expressivity,</KEYWORD>
		<KEYWORD>position</KEYWORD>
		<KEYWORD>sensing,</KEYWORD>
		<KEYWORD>gesture,</KEYWORD>
		<KEYWORD>mapping,</KEYWORD>
		<KEYWORD>algorithmic</KEYWORD>
		<KEYWORD>composition</KEYWORD>
	</KEYWORDS>
	<ABSTRACT>We summarize a decade of musical projects and research 
employing Wacom digitizing tablets as musical controllers, 
discussing general implementation schemes using Max/MSP and 
OpenSoundControl, and specific implementations in musical 
improvisation, interactive sound installation, interactive 
multimedia performance, and as a compositional assistant. We 
examine two-handed sensing strategies and schemes for gestural 
mapping. 
</ABSTRACT>
</RECORD>
</RECORDS></XML>