<?xml version="1.0" encoding="UTF-8"?>
<XML><RECORDS>
<RECORD>
	<REFERENCE_TYPE>31</REFERENCE_TYPE>
	<AUTHORS>
		<AUTHOR>Einbond, Aaron</AUTHOR>
	</AUTHORS>
	<YEAR>2006</YEAR>
	<TITLE>Temper for bass clarinet and live electronics</TITLE>
	<KEYWORDS>
		<KEYWORD>bass</KEYWORD>
		<KEYWORD>clarinet,</KEYWORD>
		<KEYWORD>clarinet,</KEYWORD>
		<KEYWORD>electronics</KEYWORD>
	</KEYWORDS>
	<NOTES>The bass clarinet sounds as if constantly on the verge of hysterics: its low register never far from breaking, squeaking, and splitting into multiphonics.  These choleric fits are explored through a rotating sequence of multiphonic harmonies.  Computer analyses of these sounds are resynthesized in response to the live clarinetist, shadowing him with evolving resonances, sonic X-rays.  Despite repeated attempts at decorum, another outburst is always just beneath the surface.  A clarinetist myself, it is a self-portrait.

</NOTES>
</RECORD>
</RECORDS></XML>