Project

Open Cylinder Waveguide Prototype

This audio feedback system is a prototype designed to digitally manage or 'shape' resultant audio feedback tones as they resonate through various media. In this case, pressure waves are produced in the air by a loudspeaker, guided through a configuration of pipes, and sensed by a microphone on the other end. By completing the partially open waveguide loop, energy is allowed to flow seamlessly between the external sound environment and the digital environment.

Project

negative expanse (2017)

negative expanse (2017)

For amplified string quartet and 8-channel speaker environment

Composed by Jon Kulpa

Performed by Friction Quartet

Commissioned by Sounds of Science Commissioning Club

Audio production and installation by Jeremy Wagner

Project

Kerosene Palace

Kerosene Palace, for orchestra and electronics

by Scott Rubin, for David Milnes and the University of California Berkeley Symphony Orchestra

Kerosene Palace is a work scored for orchestra and electronics, which was written for David Milnes and the University of California Berkeley Symphony Orchestra. The electronics, composed of fixed soundfiles created by the composer that were cued during the performance. The diffusion of the electronic sound was supported with equipment and funds supplied by the Center for New Music and Audio Technologies.

Project

ironic erratic erotic

ironic erratic erotic is a trio composed for dancer, tuba, contrabass, and motion-sensitive live electronics. It was premiered at Labor Neunzehn in Berin in May 2017 by Yuri Shimaoka (dance), Jack Adler-McKean (tuba), and Adam Goodwin (contrabass).

News

LECTURER POOL – Music Technology and Music Perception – Department of Music

The Department of Music at the University of California, Berkeley invites applications for a pool of qualified temporary instructors to teach any of the following areas:

Music and technology involving CNMAT technologies and Max/MSP programming.

Special topic courses involving software programming for musical applications of computers.

Music courses focusing on music perception and cognition.

Music appreciation courses with an emphasis on music software and lab-based learning.

The Music Department offers these courses as a series every year as part of the elective undergraduate curriculum. Qualified candidates may be eligible to teach more than one of these courses. Responsibilities include classroom teaching, holding office hours, grading class assignments, directing final projects and classroom performances.

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