|
Orchidea: a comprehensive framework for target-based computer-assisted dynamic orchestration |
Carmine-Emanuele Cella |
2022 |
Journal Article |
|
A three-dimensional timbre model via Peano curves |
Daniele Ghisi; Carmine-Emanuele Cella |
2022 |
Journal Article |
|
Dynamic Computer-Aided Orchestration in Practice with Orchidea |
Carmine-Emanuele Cella; Daniele Ghisi; Yan Maresz; Alessandro Petrolati; Alexandre Teiller; Philippe Esling |
2021 |
Journal Article |
|
A Framework for Modifying Orchestral Qualities in Computer-Aided Orchestration |
Daniele Ghisi; Carmine-Emanuele Cella |
2021 |
Journal Article |
|
CNMAT newsletter Spring 2021 |
Andrews, R, Smith, H |
2021 |
Presentation |
|
CNMAT Newsletter Fall 2020 |
Andrews, R, Smith, H |
2020 |
Presentation |
|
Discovering and Composing with Logos |
Campion, J |
2020 |
Unpublished |
|
Estimating unobserved audio features for targed-based orchestration |
Gillick, J, Cella, C-E, Bamman, D |
2019 |
Conference Paper |
|
Data Hallucination, Falsification and Validation using Generative Models and Formal Methods |
Valle, R |
2018 |
Thesis |
|
Dual Reflections: A Conversation with Kaija Saariaho and Jean-Baptiste Barriere on Music, Art, and Technology |
Campion, E |
2017 |
Journal Article |
|
Balancing Defiance and Cooperation: The Design and Human Critique of a Virtual Free Improviser |
Banerji, R |
2016 |
Conference Paper |
|
ABROA : Audio-based Room-occupancy Analysis using Gaussian Mixtures and Hidden Markov Models |
Valle, R |
2016 |
Conference Paper |
|
Specification Mining For Machine Improvisation With Formal Specifications |
Valle, R, Donz, A, Fremont, D, Akkaya, I, Seshia, S, Freed, A, Wessel, D |
2016 |
Journal Article |
|
David Wessels Slabs: a case study in Preventative Digital Musical Instrument Conservation |
Freed, A |
2016 |
Conference Paper |
|
Learning and Visualizing Music Specifications Using Pattern Graphs |
Valle, R, Fremont, DJ, Akkaya, I, Donze, A, Freed, A, Seshia, SS |
2016 |
Conference Paper |
|
Experimental Collective Experience |
Sha, XWei, Solomonova, E, Freed, A, Veissire, S, Formis, B, MacCallum, J |
2016 |
Conference Paper |
|
Sounds from the Electrified Human Body: Reconfigurations of Embodied and Encultured Knowledge from the development of Electrosomatophones |
Freed, A |
2016 |
Conference Paper |
|
SVG to OSC Transcoding: Towards a Platform for Notational Praxis and Electronic Performance |
Gottfried, R |
2015 |
Conference Paper |
|
An Accessible Platform for Exploring Haptic Interactions with Co-located Capacitive and Piezoresistive Sensors |
Freed, A, Wessel, D |
2015 |
Conference Paper |
|
PROJET EFFICACE : DVELOPPEMENTS ET PERSPECTIVES EN COMPOSITION ASSISTE PAR ORDINATEUR |
Bresson, J, Bouche, D, Garcia, J, Carpentier, T, Jacquemard, F, MacCallum, J, Schwarz, D |
2015 |
Conference Paper |
|
Antony: A Reimagining |
MacCallum, J, Goodheart, M, Freed, A |
2015 |
Conference Paper |
|
Batera : Drummer Agent with Style Learning and Interpolation |
Valle, R, Freed, A |
2015 |
Conference Paper |
|
The Impossibility of Control: Real-time Negotiations with the Heart |
MacCallum, J, Naccarato, T |
2015 |
Conference Paper |
|
Symbolic Music Similarity using Neuronal Periodicity and Dynamic Programming |
Valle, R, Freed, A |
2015 |
Miscellaneous |
|
Hearing aid fitting procedure and processing based on subjective space representation |
Wessel, D, Battenberg, E, Schmeder, A, Kelly, F, Edwards, B |
2015 |
Patent |
|
Dynamic Message-Oriented Middleware with Open Sound Control and Odot |
MacCallum, J, Gottfried, R, Rostovtsev, I, Bresson, J, Freed, A |
2015 |
Conference Paper |
|
Simple Synchronization for Open Sound Control |
Madgwick, S, Mitchell, T, Barreto, C, Freed, A |
2015 |
Conference Paper |
|
Tempo Curving as a Framework for Interactive Computer-Aided Composition |
Bresson, J, MacCallum, J |
2015 |
Conference Paper |
|
Machine Improvisation with Formal Specifications |
Donze, A, Akkaya, I, Seshia, SA, Libkind, S, Valle, R, Wessel, D |
2014 |
Conference Paper |
|
The Swarm at the Edge of the Cloud |
Lee, EA, Rabaey, J, Blaauw, D, Dutta, P, Fu, K, Guestrin, C, Hartmann, B, Jafari, R, Jones, DL, Kubiatowicz, JD, Kumar, V, Mangharam, R, Murray, BT, Pappas, G, Pister, K, Rowe, A, Wessel, D |
2014 |
Journal Article |
|
Making the Most of Wifi: Optimisations for Robust Wireless Live Music Performance |
Mitchell, T, Madgwick, S, Rankine, S, Hilton, G, Freed, A, Andrew, N |
2014 |
Conference Paper |
|
New Tools for Aspect-Oriented Programming in Music and Media Programming Environments |
MacCallum, J, Freed, A, Wessel, D |
2014 |
Conference Paper |
|
o.io: a Unified Communications Framework for Music, Intermedia and Cloud Interaction |
Freed, A, DeFilippo, D, Gottfried, R, MacCallum, J, Lubow, J, Razo, D, Rostovtsev, I, Wessel, D |
2014 |
Conference Paper |
|
Towards blind reverberation time estimation for non-speech signals |
Santos, JF, Peters, N, Falk, TH |
2013 |
Miscellaneous |
|
The Spatial Sound Description Interchange Format - Principles, Specification, and Examples |
Peters, N, Lossius, T, Schacher, JC |
2013 |
Journal Article |
|
A Multi-core Operating System with QoS Guarantees for Network Audio Applications |
Colmenares, JA, Peters, N, Eads, G, Saxton, I, Jacques, I, Kubiatowicz, JD, Wessel, D |
2013 |
Journal Article |
|
Colocated Surface Sound Interaction |
Rowland, J, Freed, A |
2013 |
Conference Paper |
|
Ensemble Coding in Audition |
Piazza, EA, Sweeny, TD, Wessel, D, Silver, MA, Whitney, D |
2013 |
Journal Article |
|
Flexible Audio Speakers for Composition and Art Practice |
Rowland, J |
2013 |
Journal Article |
|
Old is the new New: a Fingerboard Case Study in Recrudescence as a NIME Development Strategy |
Freed, A, Uitti, F-M, Mansfield, S, MacCallum, J |
2013 |
Conference Paper |
|
Agile Interface Development using OSC Expressions and Process Migration |
MacCallum, J, Freed, A, Wessel, D |
2013 |
Conference Paper |
|
Decoding Auditory Attention (in Real Time) with EEG |
Lalor, E, Mesgarani, N, Rajaram, S, ODonovan, A, Wright, J, Choi, I, Brumberg, J, Ding, N, Lee, KC, Peters, N, Ramenahalli, S, Pompe, J, Shinn-Cunningham, B, Slaney, M, Shamma, S |
2013 |
Miscellaneous |
|
Sound Design as Human Matter Interaction |
Wei, SXin, , |
2013 |
Conference Paper |
|
Maxines Turing Test A Player-Program as Co-Ethnographer of Socio-Aesthetic Interaction in Improvised Music |
Banerji, R |
2012 |
Miscellaneous |
|
Flexible Surfaces for Interactive Audio |
Rowland, J, Freed, A |
2012 |
Conference Paper |
|
Analyzing Drum Patterns using Conditional, Deep Belief Networks |
Battenberg, E, Wessel, D |
2012 |
Conference Paper |
|
Name That Room: Room identification using acoustic features in a recording |
Peters, N, Lei, H, Friedland, G |
2012 |
Miscellaneous |
|
Integration of Touch Pressure and Position Sensing with Speaker Diaphragms (Colocating Loudspeakers and Touch Interaction) |
Freed, A |
2012 |
Conference Paper |
|
SpatDIF: Principles, Specification, and Examples |
Peters, N, Lossius, T, Schacher, JC |
2012 |
Miscellaneous |
|
Matching Artificial Reverb Settings to Unknown Room Recordings: a Recommendation System for Reverb Plugins |
Peters, N, Choi, J, Lei, H |
2012 |
Miscellaneous |