A look back at some items in our archives.
David Wessel
These pages have seen considerable discussion of the
programming (and non-programming) of synthesizers. The sad truth
is, many musicians never go beyond the factory presets. But there
are many synth programmers who strive for new sounds with more
expressive control.
Adrian Freed, Keith Gordon
Center for New Music and Audio Technologies, Department of Music
1750 Arch Street, Berkeley, CA 94709
adrian@cnmat.berkeley.edu
Jean-Baptiste Barrière, Adrian Freed, Pierre-François Baisnée, Marie-Dominique Baudot
IRCAM, CNMAT
Sami Khoury, Adrian Freed, David Wessel
Center for New Music and Audio Technologies (CNMAT)
A new tool for real-time visualization of acoustic sound
fields has been developed for a new sound spatialization theatre.
The theatre is described and several applications of the acoustic
and volumetric modeling software are presented.
A. Freed, X. Rodet, Ph. Depalle
CNMAT, IRCAM
Michael Lee, Guy Garnett, David Wessel
Introduction
Michael A. Lee, David Wessel
Abstract
A. Freed, X. Rodet, Ph. Depalle
CNMAT, IRCAM
Adrian Freed
Adrian Freed
Adrian Freed
This note is a plea to the computer music community to aim
higher in the development of new graphical tools and better
graphical user interfaces (GUIs) for computer music
applications.
Adrian Freed
CNMAT, UC Berkeley, 1750 Arch Street, Berkeley, CA 94709
(510) 643 9990 x 308 adrian@cnmat.berkeley.edu
Matthew Wright, David Wessel, Adrian Freed
Center for New Music and Audio Technologies, U.C.
Berkeley
{matt, wessel, adrian}@cnmat.berkeley.edu
Matthew Wright
Center for New Music and Audio Technologies
1750 Arch Street,
Berkeley, CA 94709, USA
matt@cnmat.berkeley.edu