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Recent projects

photo credit: Wolfgang Hartmann
Project

spark (2015)

spark (2015)
for Wacom Tablet Transducer-Piano-Feedback Instrument
by Rama Gottfried, for pianist Ernst Surberg

Project

P.A.I.R.S. - Portable Ambisonic Impulse Response System

P.A.I.R.S is a project of 2017 UC Berkeley Graduating Senior, Andrew Rahman, and was funded by the UC Berkeley Summer Undergraduate Research Fellowship Program (SURF).  The purpose of the P.A.I.R.S. project is to capture the reverberation characteristics of historic spaces for archival and creative use. 

Auditory Fiction Score Example
Project

Auditory Fiction II (2014)

Edmund Campion

The Auditory Fiction pieces are composed for live musicians who perform with the aid of in-ear click-tracks.  The click-tracks are designed using software tools developed at the Center for New Music and Audio Technologies primarily by John MacCallum and Matt Wright with support from Ed Campion and others.  With the click-tracks in place, the musicians are enabled to play in any tempo relationship, accelerate, decelerate, change phase, and at any rate. 

Project

Language of Dreams (2013)

Myra Melford composer and artistic director, with David Szlasa - video, Oguri - dance, Sofia Rei  - spoken word and Snowy Egret: Ron Miles (cornet), Stomu Takeishi (bass guitar), Liberty Ellman (guitar) and Tyshawn Sorey (drums) and Myra Melford (piano, sampler and melodica)

Gloria Cheng rehearsing "Pianos" with the Eco Ensemble
Project

Pianos (2013)

Cindy Cox, Pianos

Concerto solo piano/sampler keyboard, twelve musicians, and live electronics 

I. Dark, Racing

II. Mercurial

III. Quirky, like a turning wheel

IV. Slowly revolving, wistful

V. Brash 

Lily Chen demonstrating traditional plucking techniques
Project

Hypochondriasis (2014)

Hypochondriasis is for chin (guqin) and live electronics. Chin is an ancient Chinese 7-string zither normally played by plucking with fingers. This piece is my first work to use electronics. For the first experiment on electronics, I choose the chin as the instrument since it’s one of the instruments I’m familiar with. However, the chin is a very personal instrument due to its soft volume and subtle timbral changes, so amplification becomes an important element and thus creates a new kind of environment, an augmented chin.

Project

…sicut aurora procedit (2015)

…sicut aurora procedit is the composition created by Maija Hynninen for a multidisciplinary work Pix grace – Rosin. The work was conceived by violinist Mirka Malmi, composer Maija Hynninen and aerialist Ilona Jäntti during 2013–15. Interaction between the group members was tight, each producing demo material for the rest of the group to see and discuss. The name Rosin came from the idea of rosin combining the two, violinist and aerialist. By friction rosin creates a contact surface between the bow and strings, the hands of the aerialist and the trapeze.

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