Biblio

T. Mitchell, Madgwick, S., Rankine, S., Hilton, G., Freed, A., and Andrew, N., “Making the Most of Wifi: Optimisations for Robust Wireless Live Music Performance”, in New Instruments of Musical Expression, 2014.

J. MacCallum, Freed, A., and Wessel, D., “New Tools for Aspect-Oriented Programming in Music and Media Programming Environments”, in International Computer Music Conference, Athens, Greece, 2014.

A. Freed, DeFilippo, D., Gottfried, R., MacCallum, J., Lubow, J., Razo, D., Rostovtsev, I., and Wessel, D., “o.io: a Unified Communications Framework for Music, Intermedia and Cloud Interaction”, in ICMC, Athens, Greece, 2014.

E. A. Lee, Rabaey, J., Blaauw, D., Dutta, P., Fu, K., Guestrin, C., Hartmann, B., Jafari, R., Jones, D. L., Kubiatowicz, J. D., Kumar, V., Mangharam, R., Murray, B. T., Pappas, G., Pister, K., Rowe, A., and Wessel, D., “The Swarm at the Edge of the Cloud”, IEEE Design and Test of Computers on Cloud Computing for Embedded Systems, 2014.

J. MacCallum, Freed, A., and Wessel, D., “Agile Interface Development using OSC Expressions and Process Migration”, in NIME, Daejeon Korea, 2013.

J. Rowland and Freed, A., “Colocated Surface Sound Interaction”, in SigCHI, Paris, France, 2013.

E. Lalor, Mesgarani, N., Rajaram, S., ODonovan, A., Wright, J., Choi, I., Brumberg, J., Ding, N., Lee, K. C., Peters, N., Ramenahalli, S., Pompe, J., Shinn-Cunningham, B., Slaney, M., and Shamma, S., “Decoding Auditory Attention (in Real Time) with EEG”, 37th ARO MidWinter Meeting. Association for Research in Otolaryngology, Baltimore, US, 2013.

E. A. Piazza, Sweeny, T. D., Wessel, D., Silver, M. A., and Whitney, D., “Ensemble Coding in Audition”, Psychological Science, vol. 24, pp. 1389-1397, 2013.

J. Rowland, “Flexible Audio Speakers for Composition and Art Practice”, Leonardo Music Journal, vol. 23, pp. 33-36, 2013.

J. A. Colmenares, Peters, N., Eads, G., Saxton, I., Jacques, I., Kubiatowicz, J. D., and Wessel, D., “A Multi-core Operating System with QoS Guarantees for Network Audio Applications”, Journal of the Audio Engineering Society (JAES), vol. 61, pp. 174-184, 2013.

A. Freed, Uitti, F. - M., Mansfield, S., and MacCallum, J., “Old is the new New: a Fingerboard Case Study in Recrudescence as a NIME Development Strategy”, in NIME, Daejeon Korea, 2013.

S. Xin Wei and , “Sound Design as Human Matter Interaction”, in SigChi, Paris, France, 2013.

N. Peters, Lossius, T., and Schacher, J. C., “The Spatial Sound Description Interchange Format - Principles, Specification, and Examples”, Computer Music Journal, vol. 37, pp. 11-22, 2013.

J. F. Santos, Peters, N., and Falk, T. H., “Towards blind reverberation time estimation for non-speech signals”, 21st International Congress on Acoustics (ICA). Montreal, 2013.

E. Battenberg and Wessel, D., “Analyzing Drum Patterns using Conditional, Deep Belief Networks”, in ISMIR 2012, Portugal, 2012.

N. Peters, Lossius, T., and Place, T., “An Automated Testing Suite for Computer Music Environments”, in 9th Sound and Music Computing Conference (SMC), Copenhagen, DK, 2012.

J. Rowland and Freed, A., “Flexible Surfaces for Interactive Audio”, in Interactive Tabletops and Surfaces, Cambridge, MA, 2012.

A. Freed, “Integration of Touch Pressure and Position Sensing with Speaker Diaphragms (Colocating Loudspeakers and Touch Interaction)”, in Audio Engineering Society, San Francisco, 2012.

N. Peters, Choi, J., and Lei, H., “Matching Artificial Reverb Settings to Unknown Room Recordings: a Recommendation System for Reverb Plugins”, 133rd AES Convention. San Francisco, US, 2012.

R. Banerji, “Maxines Turing Test A Player-Program as Co-Ethnographer of Socio-Aesthetic Interaction in Improvised Music”, 1st International Workshop on Musical Metacreation. Association for the Advancement of Artificial Intelligence, Stanford University, 2012.

N. Peters, Lei, H., and Friedland, G., “Name That Room: Room identification using acoustic features in a recording”, ACM Multimedia. ACM, Nara, Japan, 2012.

A. Freed, “The Paper FingerPhone: a case study of Musical Instrument Redesign for Sustainability”, in NIME 2012 (Best Poster Award), Ann Arbor, Michigan, 2012.

N. Peters and McAdams, S., “A Perceptual Analysis of Off-Center Sound Degradation in Surround-Sound Reproduction Based on Geometrical Properties (A)”, J. Acoust. Soc. Am., presented at Acoustics 2012, Hong Kong, vol. 131, pp. 3256-3256, 2012.

N. Peters, Lossius, T., and Schacher, J. C., “SpatDIF: Principles, Specification, and Examples”, SMC: 9th Sound and Music Computing Conference (Best Paper Award). Copenhagen, DK, 2012.

E. Battenberg, Huang, V., and Wessel, D., “Toward Live Drum Separation Using Probabilistic Spectral Clustering Based on the Itakura-Saito Divergence”, in AES 45th Conference: Applications of Time-Frequency Processing in Audio,, Helsinki, Finland, 2012.