Associate Professor Carmine-Emanuele Cella is Co-Director and Lead Researcher at the Center for New Music and Audio Technologies (CNMAT).
Professor Edmund Campion is Co-Director at the Center for New Music and Audio Technologies (CNMAT).
Edmund Campion is Professor of Music Composition and Co-Director at the Center for New Music and Audio Technologies (CNMAT) at the University of California, Berkeley.
Carmine-Emanuele Cella, Co-Director and Lead Researcher at CNMAT, is an internationally acclaimed composer with advanced studies in mathematics. For many years he has worked on the poetical relationships between the structured world of mathematics and the chaotic world of artistic expression, using music as a medium. His music is not based on melodies, chords or rhythms but is more about writing the sound itself.
Artist/scholar Juan David Rubio is an Assistant Professor in the Department of Music and Affiliate at CNMAT. He has performed for over two decades, mostly on drum kit. His instrumental practice spans jazz, improvisation, punk, contemporary music, and Afro-Latin musics, among others.
Ken Ueno is a Professor of Music in the Department of Music and an Affiliate Artist at CNMAT. He is a composer, vocalist, improviser, and sound artist. His music celebrates artistic possibilities which are liberated through a Whitmanesque consideration of the embodied practice of unique musical personalities.
Myra Melford, Professor of Music in the Department of Music is an Affiliate Artist at CNMAT. Professor Melford, a pianist, composer, and bandleader—whom the New Yorker called “a stalwart of the new-jazz movement”—has spent the last three decades making brilliant original music that is equally challenging and engaging.
Jeremy Hunt is a composer, poet, and creative technologist based in Oakland. After graduating UC Berkeley with a PhD in Music Composition with a Designated Emphasis in New Media in 2008, Jeremy embarked on a career in education administration, teaching, and pedagogy in the private education sector. Jeremy Wagner is a composer, performer and sound designer based in the Bay Area. Since 2016 he has served as Research Composer and technical coordinator for CNMAT's research & production infrastructure, providing sound & video engineering support for CNMAT concerts & events while mentoring graduate composers in a wide range of production technologies. Born in Bogotá, Colombia, Juliana Gaona is an oboist, chamber and orchestra musician, improviser, and educator. Juliana has participated in contemporary music festivals and ensembles including the Academia Cervantina in Guanajuato, Mexico, Vértice Ensemble in Mexico City, and soundSCAPE Festival in Italy.
J.J. Burred is a researcher and developer specialized in music technology. He holds a PhD in Engineering from the Technical University of Berlin and has worked as a researcher at IRCAM-Centre Pompidou (Paris) and Audionamix on topics such as source separation, automatic music analysis, sound synthesis and musical applications of machine learning.
Jean Bresson is a computer music researcher and software engineer, currenly working as product owner at Ableton (Berlin). Between 2003 and 2019 he was researcher at IRCAM (Paris). He has been one of the main developers of the OpenMusic environment, and has extended computer-assisted composition applications in a number of new directions such as sound synthesis and processing, sound spatialization, or real-time interaction systems.
Improvising Cellist, Danielle DeGruttola, is an acoustic and electric cellist and composer. Her cello improvisations fuse multiple genres, room acoustics, and electronic sound, creating thoughtful and powerful compositions that interweave elements of contemporary jazz, classical, electronica, folk, blues, rock, and hardcore. Her sublime sound is adventuresome and exploratory yet maintains concrete form.
John-Carlos Perea (Mescalero Apache, Irish, Chicano, German) is an electric bassist, cedar flutist, powwow singer, composer, and ethnomusicologist. He will serve as Visiting Researcher, Composer, and Performer at CNMAT (AY 22-23) to develop a musician-specific augmented performance with voice, cedar flute, drum, and emerging technologies. Marlon Schumacher is full professor for Music Informatics at the Institute for Music Informatics and Musicology (IMWI) of the Hochschule für Musik in Karlsruhe, Germany. He studied musicology and philosophy at the Eberhard-Karls-University in Tübingen, holds masters degrees (pedagogical and artistic) in music theory, digital media and composition from the HFMDK Stuttgart, and a PhD in Music Technology from McGill University, Montreal, Canada.
Claudia Hart emerged as part of that generation of 90s intermedia artists in the “identity art” niche, but now updated through the scrim of technology. Her work is about issues of the body, perception, nature collapsing into technology and then back again. Everything is fluid in it including gender.
Oakland, CA-based oboist Kyle Bruckmann tramples genre boundaries in widely ranging work as a composer/performer, educator and New Music specialist.
David Milnes presently serves as music director of the UC Berkeley Symphony Orchestra, conductor of the Berkeley Contemporary Chamber Players, and Director of the ECO Ensemble (Ensemble in Residence at CNMAT and the Department of Music). Transparent yet richly multifaceted, Cindy Cox’s compositions synthesize old and new musical designs. The natural world inspires many of the special harmonies and textural colorations in her compositions, as in her piano trio la mar amarga, the octet Cañon, and the str
Jon Kulpa’s works explore sound mass, algorithmically generated sound texture, spatial sound, and interactivity. His most recently completed project, QuBits, is a virtual reality (VR) sound-space. A user navigates this environment while wearing a VR headset, encountering many virtual characters that each have a type of appearance and sonic identity. Using hand controllers, a user is able to affect the audiovisual behavior of virtual charac
Jeffrey M. Lubow is an interdisciplinary artist and researcher concerned with the space between body and technology. His influences are spread amongst a number of mentors and colleagues the likes of David Wessel, Adrian Freed, Leslie Stuck, John Bischoff, Pauline Oliveros, and Patrick Clancy. Mat Muntz is a composer, bassist, and experimental bagpiper.
Shane Cumming is a fourth-year Music major at UC Berkeley from Park City, Utah. Shane has been focused on many different aspects of music for his entire life; lately, his interest has been in sound engineering, specifically studio work and live audio. Shane conducted an Independent Study in the Rear Studio during his junior year and is now working with Dr. Wagner on an Independent Project in the Rear Studio. Danniel Ribeiro is a Brazilian composer, researcher, and performer from Bahia. His recent work focuses on instrumental music, exploring the use of instruments through project-specific contextualized techniques, preparations, practical sculptural objects, amplification, and transduced electronics. George Papajohn (b. 1998 Milwaukee) is a composer and instrumentalist based in the San Francisco Bay Area. His recent work engages with latent tensions of identity held within the material, historical, and phenomenological aspects of sound. Eda Er is a composer, sound artist, and singer currently based in the San Francisco Bay Area. Her artistic pursuits primarily revolve around exploring expressivity and narrativity in her music. Drawing upon a diverse range of mediums, including singing, composition, analogue and digital electronics, video, theatricality, and storytelling, she creates a multifaceted and immersive musical experience.
Aditi Raja is an undergraduate researcher at CNMAT. She is currently a student at UC Berkeley studying Computer Science and Music.
Alfred was born in Kyiv, Ukraine, with a Ukrainian mother and a Cuban father. After accomplishing his bachelor's exam in composition, Alfred continued with master studies in Malmö Academy of Music with Prof. Luca Francesconi. Alfred received his master's degree in spring 2015 after graduating with his second chamber opera "Clownen Jac".
Nathan Corder is an Oakland-based composer of works for electronics, objects, and arrays of people.
Peter S. Shin 신세종 (b. 1991) is a composer whose music navigates issues of national belonging, the co-opting and intermingling of disparate musical vernaculars, and the liminality between the two halves of his second-generation Korean-U.S. American identity. The New York Times described him as “a composer to watch” and his music “entirely fresh and personal” following his premiere at Carnegie Hall. Hallie Smith is a musician based in Berkeley, California. Her research is oriented towards building soft circuits/sensors, coding, installations, and emotional music. Previous and upcoming collaborations for Hallie include: the Eco Ensemble, the SMASH ensemble, saxophonist Drew Whiting, writer/producer Felix M., The Boston Conservatory Contemporary Performance Ensemble, bartender Mel Johnson. Luke Dzwonczyk is an M.A./Ph.D. student in music at UC Berkeley, and has been an active member of CNMAT since his time as an undergraduate. His current research interests include computational creativity, audio generation with neural networks, and sound visualization. He created interactive instruments for the Berkeley Dance Project 2022, and has published papers on computer-assisted orchestration. Jean Bresson is a computer music researcher and software engineer, currenly working as product owner at Ableton (Berlin). Between 2003 and 2019 he was researcher at IRCAM (Paris). He has been one of the main developers of the OpenMusic environment, and has extended computer-assisted composition applications in a number of new directions such as sound synthesis and processing, sound spatialization, or real-time interaction systems.
Ursula Kwong-Brown is a composer, sound designer and arts technologist based in Los Angeles. She received her Ph.D. in Music Composition & New Media from the University of California, Berkeley (2018) and her B.A. in Music & Biology from Columbia University (2010). Alessandro is an Audio Engineer Researcher who graduated in Mechanical Engineering (BSc and MSc) at Politecnico of Turin, Italy. During his Master's, he specialized in Vibration Mechanics, Acoustics, and Psychoacoustics with a Thesis project on Binaural Recording. Alessandro works at CNMAT with Professor Carmine Emanuele Cella on a project focused on modeling an augmented instrument. Han Zhang is a researcher in music technology and a composer. She received her MS degree in Electrical Engineering from Northwestern University, IL in 2020, and she is now working with Prof. Carmine E. Cella on music-technology-related projects and other creative works. Composer, sound artist, improviser /piano, drums, electronics/ Theocharis Papatrechas is a visiting Researcher and Composer at CNMAT through November, 2021. Imran Sekalala is an undergraduate researcher at CNMAT. He is currently studying Data Science with an emphasis in Data Arts and Humanities. He is also minoring in Environmental Design. At CNMAT, Imran is working with Professor Edmund Campion on an upcoming release of the CNMAT Depot 2.0 software package with a focus on CNMAT Spectral Tools. The music of award-winning composer Antonio Juan-Marcos has been described as “seductive and sensitive” (ResMusica), music that “introduces rich acoustic universes” (Diapason), filled with “beautiful, mysterious, and delicate atmospheres” (Musikzen).
Kayla Cashetta is a composer whose work incorporates analog, digital, and acoustic instruments and practices.
Julie Herndon is an Oakland-based composer and performer. Her work explores the body’s relationship to the self, to performance, and to tools like musical instruments and personal technologies. Recent projects include compositions for JACK Quartet, Ensemble Dal Niente, and Ensemble Proton Bern, and performances at MATA Festival in New York, Artistry Space in Singapore, Musée des Beaux-Arts in France.
Trevor Van de Velde (b. 1998) is a composer interested in the relationship between the body and noise. Often utilizing found objects and electronics, Trevor's works aim to form an interface between performer, space, and source of sound.
Didem Coskunseven is a composer, sound artist and electronic musician based in Berkeley, CA. Coskunseven’s works vary between acoustic compositions for ensembles, electronic music, installations for gallery spaces and productions for stage focusing on creating multi-sensorial experience. She performs as a computer musician and improvisor collaborating with dancers, choreographers and video designers. Associate Professor Carmine-Emanuele Cella is Co-Director and Lead Researcher at the Center for New Music and Audio Technologies (CNMAT). Professor Edmund Campion is Co-Director at the Center for New Music and Audio Technologies (CNMAT). Edmund Campion is Professor of Music Composition and Co-Director at the Center for New Music and Audio Technologies (CNMAT) at the University of California, Berkeley. Carmine-Emanuele Cella, Co-Director and Lead Researcher at CNMAT, is an internationally acclaimed composer with advanced studies in mathematics. For many years he has worked on the poetical relationships between the structured world of mathematics and the chaotic world of artistic expression, using music as a medium. His music is not based on melodies, chords or rhythms but is more about writing the sound itself.
Born in Bogotá, Colombia, Juliana Gaona is an oboist, chamber and orchestra musician, improviser, and educator. Juliana has participated in contemporary music festivals and ensembles including the Academia Cervantina in Guanajuato, Mexico, Vértice Ensemble in Mexico City, and soundSCAPE Festival in Italy.
Artist/scholar Juan David Rubio is an Assistant Professor in the Department of Music and Affiliate at CNMAT. He has performed for over two decades, mostly on drum kit. His instrumental practice spans jazz, improvisation, punk, contemporary music, and Afro-Latin musics, among others.
J.J. Burred is a researcher and developer specialized in music technology. He holds a PhD in Engineering from the Technical University of Berlin and has worked as a researcher at IRCAM-Centre Pompidou (Paris) and Audionamix on topics such as source separation, automatic music analysis, sound synthesis and musical applications of machine learning.
Born in Québec, Canada, Linda Bouchard has been an active researcher, composer, orchestrator, conductor, and producer for over forty years. Her honors in the United States include first prizes at the Princeton Composition Contest, the Indiana State Competition, and the National Association of Composers USA Contest and a Fromm Music Foundation Award from Harvard University. Jean Bresson is a computer music researcher and software engineer, currenly working as product owner at Ableton (Berlin). Between 2003 and 2019 he was researcher at IRCAM (Paris). He has been one of the main developers of the OpenMusic environment, and has extended computer-assisted composition applications in a number of new directions such as sound synthesis and processing, sound spatialization, or real-time interaction systems.
Improvising Cellist, Danielle DeGruttola, is an acoustic and electric cellist and composer. Her cello improvisations fuse multiple genres, room acoustics, and electronic sound, creating thoughtful and powerful compositions that interweave elements of contemporary jazz, classical, electronica, folk, blues, rock, and hardcore. Her sublime sound is adventuresome and exploratory yet maintains concrete form.
Ursula Kwong-Brown is a composer, sound designer and arts technologist based in Los Angeles. She received her Ph.D. in Music Composition & New Media from the University of California, Berkeley (2018) and her B.A. in Music & Biology from Columbia University (2010). Mat Muntz is a composer, bassist, and experimental bagpiper.
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Juan David Rubio
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Ken Ueno
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Myra Melford
Staff/administration
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Jeremy Hunt
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Jeremy Wagner
Affiliated researchers, composers, and artists
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Juliana Gaona
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J.J. Burred
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Jean Bresson
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Danielle DeGruttola
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John-Carlos Perea
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Marlon Schumacher
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Claudia Hart
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Kyle Bruckmann
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David Milnes
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Cindy Cox
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Jonathan Kulpa
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Jeffrey Lubow
Students
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Tianyu Zou
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Mat Muntz
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Shane Cumming
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Danniel Ribeiro
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George Papajohn
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Eda Er
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Aditi Raja
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Alfred Jimenez
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Nathan Corder
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Peter S. Shin
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Hallie Smith
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Luke Dzwonczyk
Alumni
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Jean Bresson
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Ursula Kwong-Brown
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Alessandro Frullani
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Han Zhang
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Rafal Zapala
post-doctorate degree (habilitation) /composition/
associate professor at Academy of Music in Poznan
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Theocharis Papatrechas
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Imran Sekalala
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Antonio Juan-Marcos
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Kayla Cashetta
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Julie Herndon
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Trevor Van de Velde
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Didem Coskunseven
New Profiles
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CNMAT Co-Directors
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Edmund Campion
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Carmine-Emanuele Cella
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Juliana Gaona
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Juan David Rubio
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Tianyu Zou
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J.J. Burred
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LINDA BOUCHARD
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Jean Bresson
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Danielle DeGruttola
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Ursula Kwong-Brown
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Mat Muntz
