Welcome

Enabled by the pandemic, social VR has taken a giant leap forward. Traditionally, artists have been some of the early adopters of new technologies and this medium is no exception. To celebrate the light at the end of the tunnel, HYPHEN-HUB is showcasing four creators working on social VR platforms. These pioneering artists will discuss the elements that led them through their creative process and how this platform enabled them to push their artistic boundaries and explore new models of creativity.

CNMAT welcomed Paul Dresher and Joel Davel Invented Instrument Duo to CNMAT on May 25, 2021 for a concert and lecture on the lawn at 1750 Arch Street.  We look forward to the video documentation being posted on the CNMAT Youtube channel soon.

We are pleased to announce the release of odot version 1.3, which can now be downloaded directly through the Max Package Manager.

In addition to numerous enhancements, improvements, and bug fixes, this release contains a 12-part tutorial that covers many of the most important aspects of odot programming. This tutorial, based on years of experience using odot in practice and pedagogy, is a great entry point for new users, as well as an invaluable reference for paradigmatic solutions to common problems in media/arts programming.

***NOTE: This is an online only event. For more info, click here.***

This event premieres SUN, MAY 23,  2021 @3PM Pacific and is available on demand through JUNE 23, 2021.

Please note the following programmatic and personnel changes: 15 eyes by Jon Yu will not be performed on this concert. IMY/ILY by Amadeus Regucera has been added to the program. Percussionist, Andy Meyerson is soloist. 

The Department of Music at the University of California, Berkeley invites applications for a
pool of qualified temporary instructors to teach any of the following areas:
Music and technology involving CNMAT technologies and Max/MSP programming. Special
topic courses involving software programming for musical applications of computers and audio
engineering. Music courses focusing on music perception and cognition. Music appreciation
courses with an emphasis on music software and lab-based learning.

The CNMAT newsletter for Spring 2021 is available here.

Joins the team at the Norwegian University of Science and Technology NTNU as Associate Professor in Music Technology. Along with her commitment to creating dynamic and inclusive courses in Sound Art and Music Technology, she will be pursuing interdisciplinary research into the design of textural sonic environments and collaborating with colleagues to explore unstable performance systems.

LINK TO PERSONAL WEBSITE

The Eco Ensemble presents the 2021 Berkeley New Music Project.

Now Streaming on YouTube: https://youtu.be/bmkoEbxD3EE

Filmed during pandemic in Hertz Hall, April 18, 2021. 

Program: 
Screaming Shapes (2017) by Peter Shin
Obstructive Durations (2020) by Alfred Jimenez
Secular Love (2020) by Adrián Montúfar
Untitled (2019) by Nathan Corder

Collaborative Research Seminar HI 295

Carmine Cella

Music; Center for New Music and Audio Technologies

Lisa Wymore

Theater, Dance & Performance Studies

Greg Niemeyer

Art Practice; Berkeley Center for New Media

WHAT ROLE WILL THE ARTS & HUMANITIES PLAY IN THE FUTURE OF OUR

TECHNOLOGICALLY DRIVEN WORLD? What does data feel like, how does it touch us, and how do we

touch it? Who is influencing our machines with regard to how they see and understand the human

See below for details on the open position for a new Program Officer at CNMAT:

LINK TO POSITION ONLINE AT UC BERKELEY

Job Title

Program Officer (7377U) #17326

Job ID

17326

Location

Main Campus-Berkeley

About Berkeley

Viola Yip and Ken Ueno (UCB) will be featured at the Look + Listen Festival, May 22, 2021.

Carmine Cella will be presenting on Thursday, February 4 at 14:00-15:30 (Montreal time) during the upcoming Spatialization, Orchestration, Perception IRCAM Forum Workshops.