Welcome

CNMAT welcomes composer Olivier Pasquet for a special visit and presentation in the main room at CNMAT for Thursday, June 19, from 11:30-12:30. Free and open to the pubic.

The 2025 International Computer Music Conference (ICMC) has concluded in Boston, MA hosted by Northeastern University, New England Conservatory, Berklee College of Music, Boston Conservatory at Berklee, Emerson College and the Massachusetts Institute of Technology. This year's conference was dedicated to the memory of David Wessel, ICMC's founder and CNMAT's director from 1987-2014. The conference was hosted and chaired by CNMAT alum Anthony DeRitis (Prof. Music, Northeastern University).

CNMAT is thrilled to have been part of the design and implementation of the newly inaugurated Wu Performance Hall in the Department of Music at Morrison Hall.  With the support of Meyer Sound, Wu Hall is an ideal space for CNMAT's future concerts in the Department of Music. This project was made possible with several donors including the generous support of Laurie Wu McClain and Chuck McClain (pictured, lower right, with CNMAT Co-Director Edmund Campion.)

Composer and CNMAT alum, John MacCallum, remembers his last gig with David Wessel: 

On the occasion of the tenth anniversary of David Wessel's passing, CNMAT's ex-officio Associate Director, Richard Andrews, shares his reflections:

I had the distinct privilege of working with David Wessel from September 9, 1996 until his untimely passing on October 13, 2014. I started as an administrator and eventually became CNMAT’s Associate Director as well as Executive Director of the Eco Ensemble. I retired from CNMAT in June of 2021.

CNMAT extends its heartfelt thoughts to all who knew, revered, and loved CNMAT Director and Professor David Wessel (October 6, 1942–October 13, 2014) as we mark the 10th anniversary of his passing. David’s legacy resonates deeply across the UC Berkeley campus, particularly at CNMAT and in the Department of Music.  

Under Carmine Cella, CNMAT students Alois Cerbu and Luke Dzwonczyk published three papers this summer at both the International Computer Music Conference (ICMC) in Seoul, Korea and the Digital Audio Effects Conference (DAFx) in Surrey, UK.

Reprogrammable Effects Pedals on the Daisy Seed Platform

Alois Cerbu, Carmine Cella

ICMC 2024, Seoul, Korea

Fairy tales about love, power and money, in four acts, based on The Alices Virtual-Reality Ballet, a collaboration by Claudia Hart and Edmund Campion, taking place over seven years, between 2013 and 2020. Written by Claudia Hart, 2022-2023, and rewritten in collaboration with Tommy Martinez in 2024. Live Music Composed and Performed by Tommy Martinez. Event Production by Andrew Blanton

TOUR DATES

The cover (sidewise view) of Campion's book, Consilience, is an image of trans-Pecos, cave art from Coahuila, Mexico (five thousand years BP). It shows various instances of the shaman approaching the edge (between this world and the other?) and in the midst of the mind-altering flights across dimensions. The historic photo was taken by the great anthropologist, Solveig Turpin--now deceased.

Sonic reflections of deep space 

an evening of meditations and sound works based on the observations of the James Web Space Telescope, the VLT, and Hubble Telescope

CNMAT welcomes Alexander Jensenius, Director of the Center for Interdisciplinary Studies in Rhythm, Time, and Motion (RITMO), and Dor Abrahamson, Director of the Embodied Design Research Laboratory (EDRL) at Berkeley The collaborative teams from RITMO and EDRL have organized the international interdisciplinary research gathering made possible by the Peder Sather Grant Program (Abrahamson and Jensenius).

   RITMO Visitors Include: