Found 288 results
1994
K. McMillen, Simon, D., and Wright, M., A Summary of the ZIPI Network, Computer Music Journal, vol. 18, pp. 74-80, 1994.
K. McMillen, Wessel, D., and Wright, M., The ZIPI music parameter description language, Computer Music Journal, vol. 18, pp. 52-73, 1994.
K. McMillen, Wright, M., Simon, D., and Wessel, D., ZIPIAn Inexpensive, Deterministic, Moderate-Speed Computer Network for Music and Other Media, in Audio Engineering Society 13th International Conference: Computer-Controlled Sound Systems, Dallas, TX, 1994, pp. 145-151.
1993
A. Freed, Guidelines for signal processing applications in C, C Users Journal, p. 85(9), 1993.
G. Hajdu, Low Energy and Equal Spacing: the Multifactorial Evolution of Tuning Systems, Interface, vol. 22, pp. 319-333, 1993.
D. Zicarelli and Lee, M. A., The Max Timeline Object, in International Computer Music Conference, Tokyo, Japan, 1993, pp. 453-456.
X. Rodet, Models of musical instruments from Chua's circuit with time delay, IEEE Transactions on Circuits and Systems II: Analog and Digital Signal Processing, vol. 40, pp. 696-701, 1993.
A. Freed, Rodet, X., and Depalle, P., Performance, Synthesis and Control of Additive Synthesis on a Desktop Computer Using FFT-1, in International Computer Music Conference, Waseda University, 1993, vol. 19, pp. 98-101.
M. A. Lee and Wessel, D., Real-time neuro-fuzzy systems for adaptive control of musical processes, in Applications of Fuzzy Logic Technology, Boston, MA, 1993, vol. 2061, pp. 464-75.
X. Rodet, Sound and music from Chua's circuit, Journal of Circuits, Systems and Computers, vol. 3, pp. 49-61, 1993.
A. Freed, Rodet, X., and Depalle, P., Synthesis and control of hundreds of sinusoidal partials on a desktop computer without custom hardware, in Fourth International Conference on Signal Processing Applications and Technology, Santa Clara, CA, 1993, vol. 2, pp. 1024-30.
1992
G. Hajdu, 17 Tones, in International Computer Music Conference, San Jose, CA, 1992, pp. 449-450.
M. A. Lee, Garnett, G., and Wessel, D., An Adaptive Conductor Follower, in International Computer Music Conference, San Jose, CA, 1992, pp. 454-455.
D. Wessel, Connectionist Models for Musical Control of Nonlinear Dynamical Systems, Journal of Acoustical Society of America, vol. 92, 1992.
M. A. Lee and Wessel, D., Connectionist models for real-time control of synthesis and compositional algorithms, in International Computer Music Conference, San Jose, CA, 1992, pp. 277-280.
M. A. Lee, Freed, A., and Wessel, D., Neural networks for simultaneous classification and parameter estimation in musical instrument control, in Adaptive and Learning Systems, Orlando, FL, USA, 1992, vol. 1706, pp. 244-55.
A. Freed, New Tools for Rapid Prototyping of Musical Sound Synthesis Algorithms and Control, in International Computer Music Conference, San Jose, CA, 1992, pp. 178-181.
X. Rodet, Nonlinear Oscillator Models of Musical Instrument Excitation, in International Computer Music Conference, San Jose, CA, 1992, pp. 412-413.
G. J. Sandell and Martens, W. L., Prototyping and Interpolation of Multiple Music Timbres Using Principal Component-Based Synthesis, in International Computer Music Conference, San Jose, CA, 1992, pp. 34-37.
1991
L. Delehanty and Garnett, G., CNMAT Studio Report: New Music Performance and Composition Research, in International Computer Music Conference, McGill University, 1991, pp. 388-391.
G. Hajdu, Computermusik in der Bay Area, Neue Zeitschift fr Musik, 1991.
D. Wessel, Improvisation with highly interactive real-time performance systems, in International Computer Music Conference, Montreal, 1991, pp. 344-347.
D. Wessel, Instruments That Learn, Refined Controllers, And Source Model Loudspeakers, Computer Music Journal, vol. 15, pp. 82-86, 1991.
D. Wessel, Let's Develop a Common Language for Synth Programming, Electronic Musician. 1991.
A. Freed, Wessel, D., and Zicarelli, D., MAX Objects for Media Integration, in International Computer Music Conference, McGill University, 1991, pp. 397-400.

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