Performance that involves manipulation of sound sources or movement of sound in space. This term also encompasses Sound Diffusion, Room Simulation, and Mixing.
Practice
For full orchestra and computer
In association with the Center for New Music and Audio Technologies (CNMAT), UC Berkeley
Selected Performance History:
American Composers Orchestra, Carnegie Hall, March 17, 2006 (premiere)
American Composers Orchestra, Annenberg Center, Philadelphia, March 18
Berkeley Symphony with Kent Nagano, June, 2006 (Full Orchestral Version)
HOLD That Thought for string orchestra and computer driven electronics
2004
Hold that Thought, Gaunajuato Symphony, Mexico (premiere),
Hold that Thought, University Symphony, Berkeley
For string orchestra and computer driven electronics
University of California, Berkeley Symphony Orchestra, David Milnes
2001-02 Persistent Vision , interactive computer music with dance
L’Autre (The Other)
Losing Touch (duration 11') for vibraphone and fixed electronics was composed in 1994. The piece is published by Billaudot Editions (Catalog #GB7027) in Paris (Theodor Presser, US representative). A complete published edition with rehearsal CD and mono performance tape is available for student performance from several on-line dealers.
Program Note: What Goes Up...
Edmund J. Campion
