Submarine Revisited is the third stage in an evolving work born out of my submarine obsession. The first was Submarine, a dance theatre piece created by choreographer Sarah Fahie and myself and performed by naked fish productions at The Place, London, in 2002; the second was Submarine – Radio Edit, a radio art piece broadcast by Resonance FM in 2002 and 2003.
Night Edge I
for singer, dancer, flute and prepared piano
written by Evelyn Ficarra with collaborating improvisers Heather Frasch (flute), Aurora Josephson (voice), Myra Melford (piano) and dancer Paige Sorvillo. Commissioned by Shie Shoji for her group Shonorities.
This piece takes its starting point from a poem in the Tanka form (31 syllables) by medieval Japanese poet, Izumi Shikibu.
night edge for singer, dancer, flute and prepared piano
written by Evelyn Ficarra with collaborating improvisers Heather Frasch (flute), Aurora Josephson (voice), Myra Melford (piano) and dancer Paige Sorvillo. Commissioned by Shie Shoji for her group Shonorities.
This piece takes its starting point from a poem in the Tanka form (31 syllables) by medieval Japanese poet, Izumi Shikibu.
la mar amarga (2007) for piano trio
music by Cindy Cox
Graeme Jennings, violin, Leighton Fong, cello, and Christopher Jones, piano
photo from Sensitive Chaos by Theodor Schenk (Rudolph Steiner Press, 1965)