Lecture-demo: Music-Related Micromotion with Alexander Refsum Jensenius
Lecture: Music-related micromotion with Alexander Refsum Jensenius (RITMO)When: Wednesday, October 23, 10-12 noonWhere: CNMAT Main Room (1750 Arch Street)Open to the public and free of charge.
This presentation will summarize findings from my research into music-related micromotion. This includes the smallest human motion that we can perform and perceive, typically measured at a scale of millimeters. We have over the years carried out a series of studies of human micromotion, in which people have been asked to try to stand still on the floor, both in silence and with (musical) sound. By measuring their bodily responses with different types of motion tracking and physiological devices we find a number of similarities between people's quantity and quality of motion. This has been the starting point for exploring the use of micromotion in musical practice, what I call 'sonic microinteraction'. This includes standstill performances with interactive sound and light. It also includes several installations with our ensemble of self-playing guitars. These are hybrid instruments, using digital sound-production through acoustically resonating guitars. They are controlled through inverse microinteraction, meaning that you need to focus on standing still to produce any sound. This challenges our traditional understanding of the affordance of musical instruments, and opens for both artistically and scientifically interesting perspectives.
Alexander Refsum Jensenius is a music researcher and research musician, working as Associate Professor of Music Technology and Deputy Director of RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion at the University of Oslo. His research focuses on why music makes us move, and how we can use the human body in musical interaction. He also designs, builds, and performs traditional and very untraditional instruments. As chair of the steering committee of the International Conference on New Interfaces for Musical Expression (NIME), he is a leading figure in the international music technology community. He was a visiting researcher at CNMAT in 2001 and 2002.