Clear, Efficient Audio Signal Processing in ANSI C

Adrian Freed

Real-Time Neuro-Fuzzy Systems for Adaptive Control of Musical
Processes

Michael A. Lee, David Wessel

Abstract

Synthesis and Control of Hundreds of Sinusoidal Partials on a
Desktop Computer without Custom Hardware

A. Freed, X. Rodet, Ph. Depalle

CNMAT, IRCAM

Improvisation with Highly Interactive Real-Time
Performance Systems

David Wessel

Introduction

Research on musical timbre typically seeks representations of the perceptual
structure inherent in a set of sounds that
have implications for expressive control over the sounds in composition and
performance. With digital analysis-based
sound synthesis and with experiments on tone quality perception, we can obtain
representations of sounds that
suggest ways to provide low-dimensional control over their perceptually
important properties.

Introduction

Research on musical timbre typically seeks representations of the perceptual
structure inherent in a set of sounds that
have implications for expressive control over the sounds in composition and
performance. With digital analysis-based
sound synthesis and with experiments on tone quality perception, we can obtain
representations of sounds that
suggest ways to provide low-dimensional control over their perceptually
important properties.