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InstructFX2FX: A Multi-Turn Text-to-Effect System for Sequential Audio Effect Refinement |
Song-Ze Yu; Milan Liessens Dujardin; Yuxuan Cai; Wantong Zhang; Brian Cruz; Jeremy Wagner; Carmine-Emanuele Cella |
2026 |
Conference Paper |
|
Evaluating Tokenization Strategies for Expressive Classical Piano Performance Generation |
Qingyang Lyu; Brian Cruz; Jeremy Wagner; Carmine-Emanuele Cella |
2026 |
Conference Paper |
|
Segmentation-Free Sound Hybridization for Creative Outcomes |
Pasquale Mainolfi; Carmine-Emanuele Cella |
2026 |
Conference Paper |
|
Computer-Assisted Orchestration: On the Genesis of Ideas |
Carmine-Emanuele Cella; Yan Maresz |
2026 |
Book Chapter |
|
Unsupervised Text-to-Sound Mapping via Embedding Space Alignment |
Luke Dzwonczyk; Carmine-Emanuele Cella |
2025 |
Conference Paper |
|
An Overview on CNMAT Technologies and Future Directions |
Carmine-Emanuele Cella; Edmund Campion; Jeremy Wagner; Luke Dzwonczyk; Jon Kulpa |
2025 |
Conference Paper |
|
A Dynamically Controlled Feedback System: Waking Cloud |
Nicola Casetta; Carmine-Emanuele Cella |
2025 |
Conference Paper |
|
Method for Near-Realtime Estimation of Resonant Models |
Jeremy Wagner |
2025 |
Conference Paper |
|
Generating Music-Reactive Videos by Applying Network Bending to Stable Diffusion |
Luke Dzwonczyk; Carmine-Emanuele Cella; David Ban |
2025 |
Journal Article |
|
Mimésis, catharsis, et l'avenir de l'IA dans la musique |
Carmine-Emanuele Cella |
2025 |
Book Chapter |
|
Network Bending of Diffusion Models for Audio-Visual Generation |
Luke Dzwonczyk; Carmine-Emanuele Cella; David Ban |
2024 |
Conference Paper |
|
Audio Visualization via Delay Embedding & Subspace Learning |
Alois Cerbu; Carmine-Emanuele Cella |
2024 |
Conference Paper |
|
Reprogrammable Effects Pedals on the Daisy Seed Platform |
Alois Cerbu; Carmine-Emanuele Cella |
2024 |
Conference Paper |
|
Orchidea: a comprehensive framework for target-based computer-assisted dynamic orchestration |
Carmine-Emanuele Cella |
2022 |
Journal Article |
|
Source Separation Methods for Computer-Assisted Orchestration |
Luke Dzwonczyk; Léo Chédin; Alejandro Saldarriaga-Fuertes; Max Sherr; Hélène-Camille Crayencour; Carmine-Emanuele Cella |
2022 |
Conference Paper |
|
Synthesis by Layering: Learning a Variational Space of Drum Sounds |
Elliott Waissbluth; Jon Gillick; Carmine-Emanuele Cella |
2022 |
Conference Paper |
|
Vivace: Web Application for Real-Time Feedback on Piano Performance |
Jeremy Lee; Carmine-Emanuele Cella; Hélène-Camille Crayencour |
2022 |
Conference Paper |
|
A three-dimensional timbre model via Peano curves |
Daniele Ghisi; Carmine-Emanuele Cella |
2022 |
Journal Article |
|
Color and Timbre Gestures: An Approach with Bicategories and Bigroupoids |
Maria Mannone; Giovanni Santini; Esther Adedoyin; Carmine-Emanuele Cella |
2022 |
Journal Article |
|
Neural Models for Target-Based Computer-Assisted Musical Orchestration: A Preliminary Study |
Carmine-Emanuele Cella; Luke Dzwonczyk; Alejandro Saldarriaga-Fuertes; Hongfu Liu; Hélène-Camille Crayencour |
2022 |
Journal Article |
|
Dynamic Computer-Aided Orchestration in Practice with Orchidea |
Carmine-Emanuele Cella; Daniele Ghisi; Yan Maresz; Alessandro Petrolati; Alexandre Teiller; Philippe Esling |
2021 |
Journal Article |
|
A Framework for Modifying Orchestral Qualities in Computer-Aided Orchestration |
Daniele Ghisi; Carmine-Emanuele Cella |
2021 |
Journal Article |
|
Drumroll Please: Modeling Multi-Scale Rhythmic Gestures with Flexible Grids |
Jon Gillick; Joshua Yang; Carmine-Emanuele Cella; David Bamman |
2021 |
Journal Article |
|
Imitative Computer-Aided Musical Orchestration with Biologically Inspired Algorithms |
Marcelo Caetano; Carmine-Emanuele Cella |
2021 |
Book Chapter |
|
CNMAT newsletter Spring 2021 |
Andrews, R, Smith, H |
2021 |
Presentation |
|
Preface to Musica Elettronica e Sound Design, Vol. 3 |
Carmine-Emanuele Cella |
2021 |
Miscellaneous |
|
A Study on Neural Models for Target-Based Computer-Assisted Musical Orchestration |
Carmine-Emanuele Cella; Luke Dzwonczyk; Alejandro Saldarriaga-Fuertes; Hongfu Liu; Hélène-Camille Crayencour |
2020 |
Conference Paper |
|
Music Information Retrieval and Contemporary Classical Music: A Successful Failure |
Carmine-Emanuele Cella |
2020 |
Journal Article |
|
OrchideaSOL: A Dataset of Extended Instrumental Techniques for Computer-Aided Orchestration |
Carmine-Emanuele Cella; Daniele Ghisi; Vincent Lostanlen; Fabien Lévy; Joshua Fineberg; Yan Maresz |
2020 |
Conference Paper |
|
CNMAT Newsletter Fall 2020 |
Andrews, R, Smith, H |
2020 |
Presentation |
|
Discovering and Composing with Logos |
Campion, J |
2020 |
Unpublished |
|
QuBits, a System for Interactive Sonic Virtual Reality |
Jon Kulpa; Edmund Campion; Carmine-Emanuele Cella |
2020 |
Conference Paper |
|
Kymatio: Scattering Transforms in Python |
Mathieu Andreux; Tomás Angles; Georgios Exarchakis; Roberto Leonarduzzi; Gaspar Rochette; Louis Thiry; John Zarka; Stéphane Mallat; Joakim Andén; Eugene Belilovsky; Joan Bruna; Vincent Lostanlen; Muawiz Chaudhary; Matthew J. Hirn; Edouard Oyallon; Sixin Zhang; Carmine-Emanuele Cella; Michael Eickenberg |
2020 |
Journal Article |
|
Learning, Probability and Logic: Toward a Unified Approach for Content-Based Music Information Retrieval |
Hélène-Camille Crayencour; Carmine-Emanuele Cella |
2019 |
Journal Article |
|
Estimating unobserved audio features for targed-based orchestration |
Gillick, J; Carmine-Emanuele Cella; Bamman, David |
2019 |
Conference Paper |
|
Data Hallucination, Falsification and Validation using Generative Models and Formal Methods |
Valle, R |
2018 |
Thesis |
|
Dual Reflections: A Conversation with Kaija Saariaho and Jean-Baptiste Barriere on Music, Art, and Technology |
Campion, E |
2017 |
Journal Article |
|
Balancing Defiance and Cooperation: The Design and Human Critique of a Virtual Free Improviser |
Banerji, R |
2016 |
Conference Paper |
|
ABROA : Audio-based Room-occupancy Analysis using Gaussian Mixtures and Hidden Markov Models |
Valle, R |
2016 |
Conference Paper |
|
Specification Mining For Machine Improvisation With Formal Specifications |
Valle, R, Donz, A, Fremont, D, Akkaya, I, Seshia, S, Freed, A, Wessel, D |
2016 |
Journal Article |
|
David Wessels Slabs: a case study in Preventative Digital Musical Instrument Conservation |
Freed, A |
2016 |
Conference Paper |
|
Learning and Visualizing Music Specifications Using Pattern Graphs |
Valle, R, Fremont, DJ, Akkaya, I, Donze, A, Freed, A, Seshia, SS |
2016 |
Conference Paper |
|
Experimental Collective Experience |
Sha, XWei, Solomonova, E, Freed, A, Veissire, S, Formis, B, MacCallum, J |
2016 |
Conference Paper |
|
Sounds from the Electrified Human Body: Reconfigurations of Embodied and Encultured Knowledge from the development of Electrosomatophones |
Freed, A |
2016 |
Conference Paper |
|
SVG to OSC Transcoding: Towards a Platform for Notational Praxis and Electronic Performance |
Gottfried, R |
2015 |
Conference Paper |
|
An Accessible Platform for Exploring Haptic Interactions with Co-located Capacitive and Piezoresistive Sensors |
Freed, A, Wessel, D |
2015 |
Conference Paper |
|
PROJET EFFICACE : DVELOPPEMENTS ET PERSPECTIVES EN COMPOSITION ASSISTE PAR ORDINATEUR |
Bresson, J, Bouche, D, Garcia, J, Carpentier, T, Jacquemard, F, MacCallum, J, Schwarz, D |
2015 |
Conference Paper |
|
Antony: A Reimagining |
MacCallum, J, Goodheart, M, Freed, A |
2015 |
Conference Paper |
|
Batera : Drummer Agent with Style Learning and Interpolation |
Valle, R, Freed, A |
2015 |
Conference Paper |
|
The Impossibility of Control: Real-time Negotiations with the Heart |
MacCallum, J, Naccarato, T |
2015 |
Conference Paper |
