Recorded sound samples are analyzed into a frequency domain representation (AudioSculpt, Spear, SoundHack). Partials and other analysis results are manipulated and re-synthesized in real-time or by creating new hybrid sound files.
Losing Touch (duration 11') for vibraphone and fixed electronics was composed in 1994. The piece is published by Billaudot Editions (Catalog #GB7027) in Paris (Theodor Presser, US representative). A complete published edition with rehearsal CD and mono performance tape is available for student performance from several on-line dealers.