Selected Research Publications from CNMAT from 1989 to the Present

Areas of Research include:

  • Protocol and encoding development including Open Sound Control (OSC) and the Sound Description Interchange Format (SDIF)
  • New sensor technologies and interface modalities: sensor fusion, integration.
  • New sense-enabled media: conductive/resistive fibre, malleable media.
  • eTextile, conductive paper and other materials for the New Lutherie
  • Many-channel digital audio interfaces; hundreds of channels over common ethernet. FPGA-based audio systems development.
  • Parallel computing theory in music/audio computing; algorithms, requirements.
  • Musical interactivity tools including digitizing tablets, multitouch and manytouch surfaces.
  • New user-interfaces for interaction with expressive musical/auditory environments, e.g. spatial mapping with dimensionality reduction.
  • Theoretical and applied spatial acoustics of loudspeaker and microphone arrays, especially in spherical configurations
  • Musical quality; metrics, augmentation, compression, hearing loss.
  • Signal-theory for musical gestures; requirements on jitter and latency, expressive bandwidth estimation
  • Semantics, requirements and cognitive models of music performance and their implications for software design patterns
  • Sound analysis for event detection, pitch and noise estimation and auditory perceptual models
  • Machine learning applications in audio synthesis and musical control
  • Auditory psychophysics and music cognition and perception
  • Curation and Development of real-time music and audio software tools.
Valle R, Fremont DJ, Akkaya I, Donze A, Freed A, Seshia SS. Learning and Visualizing Music Specifications Using Pattern Graphs. In International Society for Music Information Retrieval Conference. New York; Submitted. Valle R, Donz A, Fremont D, Akkaya I, Seshia S, Freed A, et al.. Specification Mining For Machine Improvisation With Formal Specifications. ACM : Computers in Entertainment (Musical Metacreation). Submitted;. Banerji R. Balancing Defiance and Cooperation: The Design and Human Critique of a Virtual Free Improviser. In ICMC 2016. Utrecht: ICMA; 2016. Freed A. Sounds from the Electrified Human Body: Reconfigurations of Embodied and Encultured Knowledge from the development of Electrosomatophones. In Bodies of Knowledge BOK2016. UC Irvine; 2016. Freed A. David Wessels Slabs: a case study in Preventative Digital Musical Instrument Conservation. In SMC2016. Hamburg; 2016. Sha XWei, Solomonova E, Freed A, Veissire S, Formis B, MacCallum J. Experimental Collective Experience. In UC Irvine; 2016. Valle R. ABROA : Audio-based Room-occupancy Analysis using Gaussian Mixtures and Hidden Markov Models. In Future Technologies Conference (FTC) 2016. San Francisco; 2016. . Dynamic Message-Oriented Middleware with Open Sound Control and Odot. In International Computer Music Conference. University of North Texas, Denton, TX, USA; 2015. Bresson J, Bouche D, Garcia J, Carpentier T, Jacquemard F, MacCallum J, et al.. PROJET EFFICACE : DVELOPPEMENTS ET PERSPECTIVES EN COMPOSITION ASSISTE PAR ORDINATEUR. In Journes d'Informatique Musicale. Montral, QC, Canada; 2015. Bresson J, MacCallum J. Tempo Curving as a Framework for Interactive Computer-Aided Composition. In Sound and Music Computing. Maynooth, Ireland; 2015. Freed A, Wessel D. An Accessible Platform for Exploring Haptic Interactions with Co-located Capacitive and Piezoresistive Sensors. In TEI 2015. Stanford, California: ACM; 2015. Gottfried R. SVG to OSC Transcoding: Towards a Platform for Notational Praxis and Electronic Performance. In International Conference on Technologies for Music Notation and Representation (TENOR). Paris, France; 2015. MacCallum J, Goodheart M, Freed A. Antony: A Reimagining. In International Computer Music Conference. University of North Texas, Denton, TX, USA; 2015. MacCallum J, Naccarato T. The Impossibility of Control: Real-time Negotiations with the Heart. In Electronic Visualization in the Arts. London, UK; 2015. Madgwick S, Mitchell T, Barreto C, Freed A. Simple Synchronization for Open Sound Control. In ICMC. Texas: ICMA; 2015.