Archive

1750 Arch Street

Berkeley, CA 94709

(510) 643 9990 Voice

(510) 642 7918 Fax



We are located just north of the UC Berkeley main campus on Arch Street,
one block above Hearst.

Although we welcome visits, round the clock activity in our studios,
laboratories and performance space precludes unscheduled surprises. Please
contact our administrator to set up appointments.

The campus maintains
general
transit information for the area. Detailed, specific directions are

Events view

- public events
- internal events, e.g. meetings, special sessions for students (not including reservations)
- deadlines for submission, etc

"The most consistent influence," Richard Felciano has written about his life, "is that of my childhood in a small northern California community with substantial Japanese and Portuguese populations. From these groups I learned a sense of ritual, of structure, of awe, and of music as a social function....The reality of the world to me is East and West, stasis and dynamism, meditation and dialectic. It is also what California is - the edge where the two meet."

Works addressing acoustical or electro-acoustical issues by Richard Felciano

Orchestral Music:
Camp Songs for chamber orchestra
Concerto for Organ and Orchestra
Galactic Rounds for orchestra
Mutations for Orchestra
Overture Concertante for clarinet and orchestra
Symphony for string orchestra

My work in electronic music began in the early sixties, as a part of
the San Francisco Tape Music Center with Morton Subotnick, Ramon Sender
and Pauline Oliveros. Possibly the most formative experience came in 1967-8
as the composer-member of a resident five-artist group at the National Center
for Experiments in Television, established by the Rockefeller Foundation

All equipment that leaves the house needs to be reserved on the CNMAT reservation calendar. To do that, go to:

http://calendar.yahoo.com/

and login as:

user: cnmatreservation
password: reserve

Also, an exact list of all equipment leaving the house needs to be emailed to mzed@cnmat.berkeley.edu. Even if I am there and help you pick out the gear, I need *you* to make this list. Also included in this list is an estimate of when you plan to return the gear.

Dense Linear Algebra:

- Filter-banks (e.g. compressor / expander); in hearing aids, EQ.
- Basic linear operations for massively-multi-channel arrays (many-channel arrays)
- Dimensionality reduction for control paradigms (e.g. PCA)
- Sensor integration
- SVD

Sparse Linear Algebra:

- Spectral pruning
- Pitch extraction
- Concatenative synthesis?

I. Introduction

Software running on PCs has largely replaced the electronic and
electro-mechanical equipment previously used in audio and video
production.

For example, Apple's Final Cut Pro is a software video editor that has
largely replaced hardware video editors for movie trailer and
television news production. In audio recording studios, analog tape

MIR: parametric encodings of large audio databases for search, beat matched hybridisation, query by humming etc. Move from per song analysis to note and phrase level.
Audio and video render farms to individually watermark large media databases.

Sound Reproduction
Increased channel count in typical musical performances from 4-8 to 100's of speakers.

Overview:

- Multicore to manycore
- Parallel Patterns, aka 13 Dwarfs
- Compelling applications for handhelds and Laptops

**SIGPLAN**

Keutzer:

- Dataflow: pipe / filter
- Semantics of parallel engineering / architecture
- Verification by approximate equality to a serial version

Sen:

- Verification by exhaustive testing / proof
- Combinatorial explosion

People involved at CNMAT are from a wide range of disciplines and are drawn together by their common interest in exploring the world of music. The principals are specialists in musical composition, musical psychoacoustics and computer science.