Archive

crosstalk
(duet for pianist and piano)
composed by jay cloidt, 2007

commissioned by nancy karp + dancers
programming by barry threw
performed by marja mutru, piano

Threads
Electroacoustic sextet
Commissioned by the Paul Dresher Ensemble
Composed 2002 while a graduate student at UC Berkeley, realized at CNMAT
Premiered February 28, 2003 at ODC Theater, San Francisco, CA
viola samples performed by KURT ROHDE
bass clarinet samples performed by PETER JOSHEFF
Recorded on In Sound (Tzadik) by Paul Dresher Ensemble

KAREN BENTLEY violin

“Lumen” is an hour-long composition in three movements. Using shadow screens, precise mime-like movement, and a unifying musical language, the movements work together to create a narrative form inspired from both Javanese shadow play and early silent cinema. The three movements can also be performed individually.

I. Lumen Prelude -- in which we are introduced to our

“Intuitivo” is a collage of free improvisations.

I recorded seven players improvising freely and separately. They received no guidelines, and they did not know what the other players would record or had recorded. Then I trimmed and juxtaposed the improvisations to create an imaginary synchronized performance.

Beside Oneself for viola and live electronics

Most people think what could I do, I think what shouldn't I do. What I should do perhaps is involved with the fact that I'm Jewish and what is known as Jewish paranoia. I don't feel comfortable enough to feel that everything is on my side and that it's going to work just the way I want it.
--Morton Feldman

(Under construction)

a thick band of gray, a line that elides the end of day into the beginning of night (2005)

For singer and Max/MSP (with SPAT and La Kitchen sensors)

Sabinium (2006)
for two-channel electronic sounds, with video animation by Harvey Goldman .

About CORAIL

Concert of improvised music, February 27, 2008

Beethoven’s Melodram, for glass harmonica with recitation, was composed in 1814 as incidental music for Friedrich Duncker’s drama entitled Leonore Prohaska. My Melodrama, for electronic medium, was composed in 2003 as a long coda, attached to the end of Beethoven’s trifle.

A Complete Wealth of Time (duration 17') (1989-90), for two pianos was composed while the composer was in France on a Fulbright Scholarship working with Gérard Grisey.

Program Note: What Goes Up...
Edmund J. Campion

ELLIPSIS, 1995
Acquario Romano, Rome, Italy
In collaboration with artists Andrew Ginzel and Kristen Jones
June 21 from sunset to midnight

Sponsored by: Commune di Roma
American Academy in Rome

Dimensions: H 70' x W. 45' x D. 135' (21.3 x 13.7 x 41.1 m.)

Elements: 4,000 water filled glasses
Hemispherical vessels
Bay laurel trees
Circumnavigating solar light
Mirrors

HOLD That Thought for string orchestra and computer driven electronics

2004
Hold that Thought, Gaunajuato Symphony, Mexico (premiere),
Hold that Thought, University Symphony, Berkeley

2001-02 Persistent Vision , interactive computer music with dance

The large-scale form for ME mirrors the classic seven yogic steps as follows:

1. Preconscious ME, Open Vowel Space
2. ME Builds the Language Wall
3. ME Sings His Narcissistic Canon
4. ME Sings His Greatest Song
5. ME Speaks to the Crowd.
6. ME Speaks to His Prompter
7. ME Is Cast Into the Future and Dies

Edmund Campion, music
John Campion, text and concept