Jean Bresson has made incremental updates to CNMAT's Tesselate library to allow it to run under Open Music 7.2 as well as OM#. Download the updated version here: https://github.com/CNMAT/CNMAT-OM/releases/tag/v0.3
Eda Er will be featured on the Mosswood Sound Series event on April 23, 2023. She will present a new work, I belong to nothing; I belong to everything for vocals and electronics. Find more information here: http://www.sfsound.org/series/#2023.4.23
Created by CNMAT affiliate artist Claudia Hart with UC Berkeley graduate composer and programmer, Andrew Blanton. Culling from art historical references, they devised a protocol thoroughly described in their statement, using the DALL-E AI system among other things.
Aine Nakamura’s work, Kusottare! has been selected for performance at the SEAMUS Conference (April 7-8, 2023). Kusottare! was premiered at The LAB in December 2022 at Sound Encounters lll hosted by SFCMP in collaboration with CNMAT. Aine is currently pursuing doctoral studies at CNMAT.
The Vernon Salon Series, hosted by Anne Rainwater (https://annerainwater.com/vernonsalonseries/), will present CNMAT affiliated composer and vocalist Sarah Grace Graves on March 10 at 7:30 PM PST. Her program is called Circular Song: an evening of hushed, recursive music, featuring works by Joan La Barbara, Erin Gee, Giacinto Scelsi/Michiko Hirayama, John Cage and herself.
On March 3, 2023 at 10am CNMAT will host an open lecture/presentation where Linda Bouchard will introduce her custom tool OCULAR SCORES for the creation of graphical notation from the analysis of complex sounds. She has been developing this tool since 2018 as a resident researcher at matralab, Concordia University in Montreal with Joseph Browne, the designer. She will present her work on ocular scores with the participation of Carmine Cella, Jeffrey Lubow and Ellen Ruth Rose.
The Hinge ensemble will be in residence at CNMAT this spring to work with CNMAT affiliated composers: Eda Er, George Papajohn, Sarah Grace Graves and Kevin Lo. The residency will culminate in a concert at CNMAT on March 25th.
Artistic Director of the Brussels International Acousmatic Festival L'Espace du Son, Annette Vande Gorne, professor emeritus at the Royal Conservatories of Brussels and Mons, will present a multi-channel acousmatic concert of her electro-acoustic work Complete Haikus (New Year's Day, Spring, Summer, Autumn, Winter) 2016-2020 (57'). The one-hour composition will be diffused in the CNMAT main room in a special multi-channel mix performed live by Annette Vande Gorne.
gamin will be in concert at CNMAT on February 18, 2023 at 8pm with graduate student composers Dion Nataraja and Mat Muntz.
CNMAT’s lead researcher, Carmine-Emanuele Cella's new composition, I am in blood, wil be given a world premiered at IRCAM’s Espace de projection on February 16, 2023.
I am in blood, commissioned by IRCAM, marks a culmination of Calla’s research in and exploration of assisted orchestration which integrates artificial intelligence, spatialization and the augmentation of instruments.
https://www.ircam.fr/agenda/spectral-pop/detail
