A live‐performance musical instrument can be assembled around current lap‐top computer technology. One adds a controller such as a keyboard or other gestural input device, a sound diffusion system, some form of connectivity processor(s) providing for audio I/O and gestural controller input, and reactive real‐time native signal processing software. A system consisting of a hand gesture controller; software for gesture analysis and mapping, machine listening, composition, and sound synthesis; and a controllable radiation pattern loudspeaker are described.

Preparation for Interactive Live Computer
Performance in Collaboration with a Symphony Orchestra

Timothy Madden, Ronald Bruce Smith, Matthew Wright,
& David Wessel

CNMAT, UC Berkeley, 1750 Arch St., Berkeley, CA,
94709
{tjmadden,smith,matt,wessel}@cnmat.cnmat.berkeley.edu

Managing Complexity with Explicit Mapping of
Gestures to Sound Control with OSC

Matthew Wright, Adrian Freed, Ahm Lee, Tim Madden,
Ali Momeni

CNMAT, UC Berkeley, 1750 Arch St., Berkeley, CA
94709, USA

{matt,adrian,ahm,tjmadden,ali}@cnmat.berkeley.edu

Center for New Music and Audio Technologies (CNMAT):
Studio Report

Richard Andrews

Center for New Music and Audio Technologies (CNMAT)

University of California, Berkeley

richard@cnmat.berkeley.edu

Abstract