Maxwell CB, Bindel D. Modal Parameter Tracking for Shape-Changing Geometric Objects. Proc. of the 10th Int. Conference on Digital Audio Effects (DAFx-07). Bordeaux, France; 2007.
Schmeder A, Wright M, Freed A, Campion E, Wessel D. CNMAT Information Infrastructure. In International Computer Music Conference. Copenhagen, Denmark: ICMA; 2007. pp. 325-328.
Wessel D, Fitz K, Battenberg E, Schmeder A, Edwards B. Optimizing Hearing Aids for Music Listening. In 19th International Congress on Acoustics. Madrid, Spain; 2007.
Wessel D, Avizienis R, Freed A, Wright M. A force sensitive multi-touch array supporting multiple 2-D musical control structures. In Proceedings of the 7th international Conference on New interfaces For Musical Expression. New York, NY: ACM; 2007. pp. 41-45.
Wessel D, Avizienis R, Freed A, Wright M. A Force Sensitive Multi-touch Array Supporting Multiple 2-D Musical Control Structures. In New Interfaces for Musical Expression [Internet]. New York; 2007. pp. 41-45. http://portal.acm.org/citation.cfm?id=1279740.1279745
Zbyszynski M, Wright M, Momeni A, Cullen D. Ten Years of Tablet Musical Interfaces at CNMAT. New Interfaces for Musical Expression. New York; 2007. pp. 100-105.
Zbyszynski M, Wright M, Campion E. Design and Implementation of CNMAT's Pedagogical Software. In International Computer Music Conference. Copenhagen, Denmark; 2007. pp. 57-60.
Zbyszynski M. Low-cost Spherical Speaker Array [Internet]. 2007. http://www.instructables.com/id/Low-cost-Spherical-Speaker-Array/
Avizienis R, Freed A, Kassakian P, Wessel D. A Compact 120 Independent Element Spherical Loudspeaker Array with Programmable Radiation Patterns. In Audio Engineering Society 120th Convention [Internet]. Paris, France; 2006. p. Convention Paper No. 6783. http://cnmat.berkeley.edu/publications/compact_120_independent_element_spherical_loudspeaker_array_programmable_radiation_patterns
Avizienis R, Freed A, Kassakian P, Wessel D. A Compact 120 Independent Element Spherical Loudspeaker Array with Programmable Radiation Patterns. In Audio Engineering Society 120th Convention [Internet]. Paris, France; 2006. p. Convention Paper No. 6783. http://cnmat.berkeley.edu/publications/compact_120_independent_element_spherical_loudspeaker_array_programmable_radiation_patterns
Berdahl EJ, III JOSmith, Freed A. Active Damping Of A Vibrating String. In 6th International Symposium on Active Noise and Vibration Control. Adelaide, Australia; 2006.
Bruyns C, Bindel D. Shape Changing Symmetric Objects for Sound Synthesis. In AES 121 [Internet]. San Francisco, CA; 2006. http://cnmat.berkeley.edu/publications/shape_changing_symmetric_objects_sound_synthesis
Einbond A. Convergent Voices: Perception in Lutoslawski, Berio, Boulez. In 6th annual GAMMA-UT conference [Internet]. University of Texas at Austin; 2006. p. no publication. http://cnmat.berkeley.edu/publications/convergent_voices_perception_lutoslawski_berio_boulez
Freed A. Music MetaData Quality: a multiyear Case Study using the Music of Skip James. In AES 121 [Internet]. San Francisco, CA; 2006. http://cnmat.berkeley.edu/publications/music_metadata_quality_multiyear_case_study_using_music_skip_james
Freed A, Lee A, Schott J, Uitti F-M, Wright M, Zbyszynski MF. Comparing Musical Control Structures and Signal Processing Strategies for the Augmented Cello and Guitar. In International Computer Music Conference [Internet]. New Orleans, LA: International Computer Music Association; 2006. pp. 636-642. http://cnmat.berkeley.edu/publications/comparing_musical_control_structures_and_signal_processing_strategies_augmented_cello_and_guitar
Freed A, Uitti F-M, Wessel D, Zbyszynski MF. Augmenting the Cello. In International Conference on New Interfaces for Musical Expression [Internet]. Paris, France; 2006. pp. 409-413. http://cnmat.berkeley.edu/publications/augmenting_cello
Freed A, Avizienis R, Wright M. Beyond 0-5V: Expanding Sensor Integration Architectures. In International Conference on New Interfaces for Musical Expression. Paris, France; 2006. pp. 97-100.
Kassakian P. Convex Approximation with Applications in Magnitude Filter Design and Beamforming. EECS. [Berkeley, CA]: University of California, Berkeley; 2006.
Loui P, Wessel D, Kam CHudson. Acquiring New Musical Grammars: a Statistical Learning Approach. In 28th Annual Conference of the Cognitive Science Society. Vancouver, Canada: Cognitive Science Society; 2006. pp. 1711-1716.
Loui P, Wessel D. Attentional Fluctuations Across Frequency and Amplitude: a Dual-Task Study. In Cognitive Neuroscience Society (Poster Presentaton) [Internet]. San Francisco, California; 2006. p. 84. http://cnmat.berkeley.edu/publications/attentional_fluctuations_across_frequency_and_amplitude_dual_task_study
MacCallum J, Einbond A. Real-Time Analysis of Sensory Dissonance. Berkeley, CA: CNMAT, Department of Music, University of California Berkeley; 2006 .
Wessel D. An Enactive Approach to Computer Music Performance. Orlarey Y. Le Feedback dans la Creation Musical. Lyon, France: Studio Gramme; 2006. pp. 93-98.
Wright M. Shifty Looping: meter-aware, non-repeating rhythmic loops [Internet]. International Computer Music Conference. New Orleans, LA: International Computer Music Association; 2006. p. 44. http://cnmat.berkeley.edu/publications/shifty_looping_meter_aware_non_repeating_rhythmic_loops
Wright M, Berdahl EJ. Towards Machine Learning of Expressive Microtiming in Brazilian Drumming [Internet]. International Computer Music Conference. New Orleans, LA: International Computer Music Association; 2006. pp. 572-575. http://ccrma.stanford.edu/~eberdahl/Projects/Microtiming
Chaudhary A. Automated Testing of Open-Source Music Software with Open Sound World and Open Sound Control . In 2005.
Ho H. Structuring timbre in an octatonic context: the music of Bohuslav Martinu. In Music Theory Society of New York State [Internet]. New York, NY; 2005. http://cnmat.berkeley.edu/publications/structuring_timbre_octatonic_context_music_bohuslav_martinu
Ho H. Structuring timbre in an octatonic context: the music of Bohuslav Martinu. In Music Theory Southeast [Internet]. Miami, FL; 2005. http://cnmat.berkeley.edu/publications/structuring_timbre_octatonic_context_music_bohuslav_martinu_0
Kassakian P, Wessel D. Optimal Positioning in Low-dimensional Control Spaces using Convex Optimization. In International Computer Music Conference [Internet]. Barcelona, Spain: International Computer Music Association; 2005. pp. 379-382. http://cnmat.berkeley.edu/publications/optimal_positioning_low_dimensional_control_spaces_using_convex_optimization
Kassakian P. Magnitude Least--Squares Fitting via Semidefinite Programming with Applications to Beamforming and Multidimensional Filter Design. In IEEE International Conference on Acoustics, Speech, and Signal Processing. Philadelphia, Pennsylvania; 2005.
Loui P, Wessel D. Harmonic Expectation, Selective Attention, and Affect in Music. In Neuroscience and Music Conference [Internet]. Leipzig, Germany; 2005. http://cnmat.berkeley.edu/publications/harmonic_expectation_selective_attention_and_affect_music
MacCallum J, Hunt J, Einbond A. Timbre as a Psychoacoustic Parameter for Harmonic Analysis and Composition. In International Computer Music Conference [Internet]. Barcelona, Spain: International Computer Music Association; 2005. pp. 825-828. http://cnmat.berkeley.edu/publications/timbre_psychoacoustic_parameter_harmonic_analysis_and_composition
Morales-Mazanares R, Morales EF, Wessel D. Combining Audio And Gestures For A Real-Time Improviser. In International Computer Music Conference [Internet]. Barcelona, Spain: International Computer Music Association; 2005. pp. 813-816. http://cnmat.berkeley.edu/publications/combining_audio_and_gestures_real_time_improviser
Vogel BK. Automated Music Analysis Using Dynamic Graphical Models. EECS. [Berkeley, CA]: U.C. Berkeley; 2005. p. 131.
Vogel BK, Jordan MI, Wessel D. Multi-Instrument Musical Transcription Using Dynamic Graphical Model. In IEEE International Conference on Acoustics, Speech, and Signal Processing. Philadelphia, PA, USA; 2005. pp. 493-496.
Wright M, III JOSmith. Open-Source Matlab Tools for Interpolation of SDIF Sinusoidal Synthesis Parameters. In International Computer Music Conference [Internet]. Barcelona: International Computer Music Association; 2005. pp. 632-635. http://cnmat.berkeley.edu/publications/open_source_matlab_tools_interpolation_sdif_sinusoidal_synthesis_parameters
Wright M. Open Sound Control: an enabling technology for musical networking. Organised Sound [Internet]. 2005;10:193-200. http://cnmat.berkeley.edu/publications/open_sound_control_enabling_technology_musical_networking
Zbyszynski MF, Freed A. Control of VST Plug-ins Using OSC. In International Computer Music Conference [Internet]. Barcelona, Spain: International Computer Music Association; 2005. pp. 263-266. http://cnmat.berkeley.edu/publications/control_vst_plug_ins_using_osc
Avizienis R, Freed A. OSC and Gesture features of CNMAT's Connectivity Processor. In Open Sound Control Conference [Internet]. Berkeley, CA; 2004. http://alpha.cnmat.berkeley.edu/publications/osc_and_gesture_features_cnmats_connectivity_processor
Freed A. Towards a More Effective OSC Time Tag Scheme. In Open Sound Control Conference [Internet]. Berkeley, CA: CNMAT; 2004. http://cnmat.berkeley.edu/publications/osc_time_tags
Freed A, Zbyszynski MF. OSC Control of VST Plug-ins. In Open Sound Control Conference [Internet]. Berkeley, CA: CNMAT; 2004. http://cnmat.berkeley.edu/publications/osc_control_vst_plug_ins
Kassakian P, Wessel D. Characterization of Spherical Loudspeaker Arrays. In 117th Audio Engineering Society Convention. San Francisco, CA; 2004. p. Convention paper #1430.
Makan K, Campion E. An Interview with Edmund Campion. Computer Music Journal. MIT; 2004;28.
Schmeder AW. Mapping Spectral Frames to Pitch with the Support Vector Machine. In International Computer Music Conference. Miami, FL: International Computer Music Association; 2004. pp. 664-667.
Schmeder AW, Wright M. A Query System for Open Sound Control. In OpenSoundControl Conference [Internet]. Berkeley, CA: CNMAT; 2004. http://cnmat.berkeley.edu/publications/query_system_open_sound_control
Wessel D. Max/MSP Programming Practice with OSC. In Open Sound Control Conference [Internet]. Berkeley, CA: CNMAT; 2004. http://cnmat.berkeley.edu/publications/max_msp_programming_practice_osc
Wessel D, Loui P, Jacobs B, Avizienis R. Music Perception and Cognition Experiments in a Classroom Setting: Temporally Precise Hardware and Software. In 8th International Conference on Music Perception and Cognition [Internet]. Evanston, Illinois; 2004. p. 642. http://cnmat.berkeley.edu/publications/music_perception_and_cognition_experiments_classroom_setting_temporally_precise_hardware_and_softwar
Wright M, Dannenberg R, Pope S, Rodet X, Serra X, Wessel D. Panel: Standards from the Computer Music Community. In International Computer Music Conference. Miami, FL: International Computer Music Association; 2004. pp. 711-714.
Wright M, Cassidy RJ, Zbyszynski MF. Audio and Gesture Latency Measurements on Linux and OSX. In International Computer Music Conference [Internet]. Miami, FL: International Computer Music Association; 2004. pp. 423-429. http://cnmat.berkeley.edu/publications/audio_and_gesture_latency_measurements_linux_and_osx
Wright M. Brief overview of OSC and its application areas. In OpenSoundControl Conference [Internet]. Berkeley, CA: CNMAT; 2004. http://cnmat.berkeley.edu/publications/brief_overview_osc_and_its_application_areas
Kassakian P, Wessel D. Design of Low-Order Filters for Radiation Synthesis. In 115th Audio Engineering Society Conventtion. New York, NY: Audio Engineering Society; 2003. p. Convention Paper 5925.
Momeni A, Wessel D. Characterizing and Controlling Musical Material Intuitively with Geometric Models. In Proceedings of the 2003 Conference on New interfaces for Musical Expression [Internet]. Montreal, Canada: National University of Singapore; 2003. pp. 54-62. http://cnmat.berkeley.edu/publications/characterizing_and_controlling_musical_material_intuitively_geometric_models
Rodenas JA, Aarts RM, Janssen A. Derivation of an optimal directivity pattern for sweet spot widening in stereo sound reproduction. The Journal of the Acoustical Society of America. ASA; 2003;113:267-278.
Wright M, Freed A, Momeni A. Open Sound Control: State of the Art 2003. In International Conference on New Interfaces for Musical Expression. Montreal; 2003. pp. 153-159.
Andrews R. Center for New Music and Audio Technologies (CNMAT): Studio Report. In International Computer Music Conference [Internet]. Gteborg, Sweden: International Computer Music Association; 2002. pp. 440-443. http://cnmat.berkeley.edu/publications/center_new_music_and_audio_technologies_cnmat_studio_report_1
Chaudhary A. Open Sound World [Internet]. 2002 . http://cnmat.berkeley.edu/publications/open_sound_world
Iyer V. Embodied Mind, Situated Cognition, and Expressive Microtiming in African-American Music. Music Perception [Internet]. 2002;19:387414. http://cnmat.berkeley.edu/publications/embodied_mind_situated_cognition_and_expressive_microtiming_african_american_music
Warusfel O, Blauert J, Wessel D. Synopsis of reverberation enhancement systems. In Proceedings of the 3rd European Congress on Acoustics. Sevilla, Spain; 2002.
Wessel D, Wright M, Schott J. Situated Trio: An Interactive Live Performance for a Hexaphonic Guitarist and Two Computer Musicians with Expressive Controllers. In International Conference on New Interfaces for Musical Expression (NIME) [Internet]. Dublin, Ireland; 2002. pp. 171-173. http://cnmat.berkeley.edu/publications/situated_trio_interactive_live_performance_hexaphonic_guitarist_and_two_computer_musicians_expressiv
Wessel D, Wright M, Schott J. Intimate Musical Control of Computers with a Variety of Controllers and Gesture Mapping Metaphors. In International Conference on New Interfaces for Musical Expression (NIME) [Internet]. Dublin, Ireland; 2002. pp. 171-173. http://portal.acm.org/citation.cfm?id=1085213
Wessel D, Wright M. Problems and Prospects for Intimate Musical Control of Computers. Computer Music Journal [Internet]. 2002;26:11-22. http://mitpress.mit.edu/catalog/item/default.asp?ttype=6&tid=8962
Wessel D. Live interactive computer music and performance practice. Journal of the Acoustical Society of America [Internet]. 2002;3:2348-2348. https://asa.scitation.org/doi/10.1121/1.4777871
Wright M. Problems and Prospects for intimate and satisfying sensor-based control of computer sound. In Symposium on Sensing and Input for Media-Centric Systems (SIMS). Santa Barbara, CA: CREATE, UC Santa Barbara; 2002. pp. 1-6.
Wright M. OpenSound Control Specification [Internet]. 2002 . http://cnmat.berkeley.edu/publications/opensound_control_specification
Zbyszynski M. Daguerreotype. 2002.
Andrews R. CNMAT Studio Report. In International Computer Music Conference [Internet]. Habana, Cuba: International Computer Music Association; 2001. pp. 393-396. http://cnmat.berkeley.edu/publications/cnmat_studio_report
Baird J, Meyer J, Meyer P, Kassakian P, Wessel D. Controlling Loudspeaker Array Radiation in Three Dimensions. In 111th Audio Engineering Society Convention [Internet]. New York, NY: Audio Engineering Society; 2001. p. Convention Paper. http://cnmat.berkeley.edu/publications/controlling_loudspeaker_array_radiation_three_dimensions
Chaudhary AS. Perceptual Scheduling in Real-time Music and Audio Applications. Computer Science. [Berkeley]: University of California; 2001. p. 152.
Chaudhary A, Wessel D, Rowe LA. Listener Evaluation of Reduction Strategies for Sinusoidal and Resonance Models. In International Computer Music Conference [Internet]. Habana, Cuba: International Computer Music Association; 2001. pp. 227-230. http://cnmat.berkeley.edu/publications/listener_evaluation_reduction_strategies_sinusoidal_and_resonance_models
Cox C. World a Tuning Fork. Oakland, CA: World a Tuning Fork Press; 2001.
Madden T, Smith RBruce, Wright M, Wessel D. Preparation for Interactive Live Computer Performance in Collaboration with a Symphony Orchestra. In International Computer Music Conference [Internet]. Habana, Cuba: International Computer Music Association; 2001. pp. 310-313. http://cnmat.berkeley.edu/publications/preparation_interactive_live_computer_performance_collaboration_symphony_orchestra
Warusfel O, Misdariis N. Directivity Synthesis with a 3D Array of Loudspeakers, Application for Stage Performance. In DAFX. 2001.
Wright M, Freed A, Lee A, Madden T, Momeni A. Managing Complexity with Explicit Mapping of Gestures to Sound Control with OSC. In International Computer Music Conference [Internet]. Habana, Cuba: International Computer Music Association; 2001. pp. 314-317. http://cnmat.berkeley.edu/publications/managing_complexity_explicit_mapping_gestures_sound_control_osc
Andrews R. Center for New Music and Audio Technologies (CNMAT): Studio Report. In International Computer Music Conference [Internet]. Berlin, Germany: International Computer Music Association; 2000. pp. 417-420. http://cnmat.berkeley.edu/publications/center_new_music_and_audio_technologies_cnmat_studio_report_0
Avizienis R, Freed A, Suzuki T, Wessel D. Scalable Connectivity Processor for Computer Music Performance Systems. In International Computer Music Conference [Internet]. Berlin, Germany: International Computer Music Association; 2000. pp. 523-526. http://cnmat.berkeley.edu/publications/scalable_connectivity_processor_computer_music_performance_systems
Chaudhary A, Freed A, Wright M. An Open Architecture for Real-time Music Software. In International Computer Music Conference. Berlin, Germany: International Computer Music Association; 2000. pp. 492-495.
Freed A, Avizienis R. A New Music Keyboard featuring Continuous Key-position Sensing and High-speed Communication Options. In International Computer Music Conference. Berlin, Germany: International Computer Music Association; 2000. pp. 515-516.
Freed A, Isvan O. Musical Applications of New, Multi-axis Guitar String Sensors. In International Computer Music Conference [Internet]. Berlin, Germany: International Computer Music Association; 2000. pp. 543-546. http://cnmat.berkeley.edu/publications/musical_applications_new_multi_axis_guitar_string_sensors
Pulkki V. Generic Panning Tools for MAX/MSP. In International Computer Music Conference [Internet]. Berlin, Germany: International Computer Music Association; 2000. http://cnmat.berkeley.edu/publications/generic_panning_tools_max_msp
Richard D. Music as HandWerk, the middle way between Vorhandenheit and Zuhandenheit. In International Computer Music Conference [Internet]. Berlin, Germany: International Computer Music Association; 2000. pp. 5-7. http://cnmat.berkeley.edu/publications/music_handwerk_middle_way_between_vorhandenheit_and_zuhandenheit
Schwarz D, Wright M. Extensions and Applications of the SDIF Sound Description Interchange Format. In International Computer Music Conference [Internet]. Berlin, Germany: International Computer Music Association; 2000. pp. 481-484. http://cnmat.berkeley.edu/publications/extensions_and_applications_sdif_sound_description_interchange_format
Wright M, Beauchamp J, Fitz K, Rodet X, Rbel A, Serra X, et al.. Analysis/Synthesis Comparison. Organised Sound. 2000;5:173-189.
Wright M, Chaudhary A, Freed A, Khoury S, Wessel D, Momeni A. An XML-based SDIF Stream Relationships Language. In International Computer Music Conference [Internet]. Berlin, Germany: International Computer Music Association; 2000. pp. 186-189. http://cnmat.berkeley.edu/publications/xml_based_sdif_stream_relationships_language
Andrews R. Clone of The Center for New Music and Audio Technologies (CNMAT): Studio Report. In International Computer Music Conference [Internet]. Beijing, China: International Computer Music Association; 1999. pp. 569-572. http://alpha.cnmat.berkeley.edu/publications/center_new_music_and_audio_technologies_cnmat_studio_report
Andrews R. The Center for New Music and Audio Technologies (CNMAT): Studio Report. In International Computer Music Conference [Internet]. Beijing, China: International Computer Music Association; 1999. pp. 569-572. http://alpha.cnmat.berkeley.edu/publications/center_new_music_and_audio_technologies_cnmat_studio_report
Chaudhary A, Freed A. Visualization, Editing and Spatialization of Timbral Resources using the OSE Framework. In Audio Engineering Society 107th Convention [Internet]. New York, NY: Audio Engineering Society; 1999. p. preprint #5027. http://cnmat.berkeley.edu/publications/visualization_editing_and_spatialization_timbral_resources_using_ose_framework
Chaudhary A, Freed A, Wessel D. Exploiting Parallelism in Real-Time Music and Audio Applications [Internet]. Heidelberg: Springer Berlin; 1999. pp. 49-54. http://www.springerlink.com/content/81314334t1w10x48/
Chaudhary A, Freed A, Wright M. An Open Architecture for Real-Time Audio Processing Software. In Audio Engineering Society 107th Convention,. New York, NY: Audio Engineering Society; 1999. p. preprint #5031.
Freed A. Bidirectional AES/EBU Digital Audio and Remote Power over a Single Cable. In Audio Engineering Society 107th Convention [Internet]. New York, NY: Audio Engineering Society; 1999. http://cnmat.berkeley.edu/publications/bidirectional_aes_ebu_digital_audio_and_remote_power_over_single_cable
Freed A. Spectral Line Broadening with Transform Domain Additive Synthesis. In International Computer Music Conference [Internet]. Beijing, China: International Computer Music Association; 1999. pp. 78-81. http://alpha.cnmat.berkeley.edu/publications/spectral_line_broadening_transform_domain_additive_synthesis
Goodwin MM, Vetterli M. Matching pursuit and atomic signal models based on recursive filterbanks. Signal Processing, IEEE Transactions on [see also Acoustics, Speech, and Signal Processing, IEEE Transactions on]. 1999;47:1890-1902.
Hodes T, Freed A. Second-order recursive oscillators for musical additive synthesis. In International Computer Music Conference [Internet]. Beijing, China: International Computer Music Association; 1999. pp. 74-77. http://cnmat.berkeley.edu/publications/second_order_recursive_oscillators_musical_additive_synthesis
Hodes T, Hauser J, Freed A, Wawrzynek J, Wessel D. A Fixed-Point Recursive Digital Oscillator for Additive Synthesis of Audio. In IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP). Phoenix, AZ; 1999.
Jehan T, Freed A, Dudas R. Musical Applications of New Filter Extensions to Max/MSP. In International Computer Music Conference [Internet]. Beijing, China: International Computer Music Association; 1999. pp. 504-507. http://cnmat.berkeley.edu/publications/musical_applications_new_filter_extensions_max_msp
Kaup A, Freed A, Khoury S, Wessel D. Volumetric Modeling of Acoustic Fields for Musical Sound Design in a New Sound Spatialization Theatre. In International Computer Music Conference [Internet]. Beijing, China: International Computer Music Association; 1999. pp. 488-491. http://cnmat.berkeley.edu/publications/volumetric_modeling_acoustic_fields_musical_sound_design_new_sound_spatialization_theatre
Lindlbauer N. Application of FPGA's to Musical Gesture Communication and Processing [Internet]. 1999. http://cnmat.berkeley.edu/publications/application_fpgas_musical_gesture_communication_and_processing
Risset J-C, Wessel D. Exploration of Timbre by Analysis Synthesis. Second. Deutsch D. The Psychology of Music. San Diego: Academic Press; 1999. pp. 113-169.
Serafin S, Dudas R, Wanderley MM, Rodet X. Gestural Control of a Real-Time Physical Model of a Bowed String Instrument. In International Computer Music Conference [Internet]. Beijing, China: International Computer Music Association; 1999. pp. 375-378. http://cnmat.berkeley.edu/publications/gestural_control_real_time_physical_model_bowed_string_instrument
Wright M, Khoury S, Wang R, Zicarelli D. Supporting the Sound Description Interchange Format in the Max/MSP Environment. In International Computer Music Conference [Internet]. Beijing, China: International Computer Music Association; 1999. pp. 182-185. http://cnmat.berkeley.edu/publications/supporting_sound_description_interchange_format_max_msp_environment
Wright M, Chaudhary A, Freed A, Khoury S, Wessel D. Audio Applications of the Sound Description Interchange Format Standard. In Audio Engineering Society 107th Convention. Audio Engineering Society; 1999. p. preprint #5032.
Wright M, Scheirer E. Cross-Coding SDIF into MPEG-4 Structured Audio. In International Computer Music Conference. Beijing, China: International Computer Music Association; 1999. pp. 589-596.

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