Archive | CNMAT

CNMAT Flashback

A look back at some items in our archives.

Event

Jens Ahrens (T-Labs Berlin): Analytical Methods of Sound Field Synthesis

Tue, November 2, 2010, 10:00pm

Tuesday, November 2, 2010 - 22:00

General Price

$0.00

Student Price

$0.00

Event

Ramani Duraiswami (Univ. of Maryland) - Spherical Microphone Arrays

Wed, July 27, 2011, 8:00pm

Wednesday, July 27, 2011 - 20:00

General Price

$0.00

Student Price

$0.00

Event

Open Sound West Presents: Flute virtuoso Orlando Cela performs an evening of contemporary solo flute classics

Fri, October 19, 2012, 4:00am

Friday, October 19, 2012 - 04:00

General Price

$10.00

Student Price

$5.00

Archive Browser

Publication

Low Energy and Equal Spacing: the Multifactorial Evolution of Tuning Systems

G. Hajdu, “Low Energy and Equal Spacing: the Multifactorial Evolution of Tuning Systems”, Interface, vol. 22, pp. 319-333, 1993.

Publication

Database of Challenging Musical Sounds for Evaluation and Refinement of Pitch Estimators

A. Freed and Jehan, T., “Database of Challenging Musical Sounds for Evaluation and Refinement of Pitch Estimators”, in ICMC, Thessaloniki, Hellas, 1997, p. [not published].

Database of Challenging Musical Sounds for
Evaluation and Refinement of Pitch Estimators

Adrian
Freed, Tristan Jehan

Publication

Statistics and Music: Fitting a Local Harmonic Model to Musical Sound Signals

R. Irizarry, “Statistics and Music: Fitting a Local Harmonic Model to Musical Sound Signals”, UC Berkeley, Berkeley, CA, 1998.

Publication

Bring Your Own Control Additive Synthesis

A. Freed, “Bring Your Own Control Additive Synthesis”, in International Computer Music Conference, Banff, Canada, 1995, pp. 303-306.

Bring Your Own Control to
Additive Synthesis

Adrian Freed

Publication

Models of musical instruments from Chua's circuit with time delay

X. Rodet, “Models of musical instruments from Chua's circuit with time delay”, IEEE Transactions on Circuits and Systems II: Analog and Digital Signal Processing, vol. 40, pp. 696-701, 1993.

Publication

Sound and music from Chua's circuit

X. Rodet, “Sound and music from Chua's circuit”, Journal of Circuits, Systems and Computers, vol. 3, pp. 49-61, 1993.

Publication

Neural networks for simultaneous classification and parameter estimation in musical instrument control

M. A. Lee, Freed, A., and Wessel, D., “Neural networks for simultaneous classification and parameter estimation in musical instrument control”, in Adaptive and Learning Systems, Orlando, FL, USA, 1992, vol. 1706, pp. 244-55.

Publication

An Adaptive Conductor Follower

M. A. Lee, Garnett, G., and Wessel, D., “An Adaptive Conductor Follower”, in International Computer Music Conference, San Jose, CA, 1992, pp. 454-455.

Publication

Microstructures of Feel, Macrostructures of Sound: Embodied Cognition in West African and African-American Musics

V. Iyer, “Microstructures of Feel, Macrostructures of Sound: Embodied Cognition in West African and African-American Musics”, University of California at Berkeley, Berkeley, 1998.

Publication

17 Tones

G. Hajdu, “17 Tones”, in International Computer Music Conference, San Jose, CA, 1992, pp. 449-450.

Publication

The Rebirth of Computer Music by Analog Signal Processing

A. Freed, “The Rebirth of Computer Music by Analog Signal Processing”, in International Computer Music Conference, Aarhus, Denmark, 1994, pp. 435-442.

The Rebirth of Computer Music by Analog Signal
Processing

Adrian Freed

ABSTRACT

Publication

Bidirectional AES/EBU Digital Audio and Remote Power over a Single Cable

A. Freed, “Bidirectional AES/EBU Digital Audio and Remote Power over a Single Cable”, in Audio Engineering Society 107th Convention, New York, NY, 1999.

Bi-directional AES/EBU Digital Audio and Remote Power over
a single Cable

Adrian Freed

CNMAT, UC Berkeley, 1750 Arch Street, Berkeley, CA 947709

510 643 9990 adrian@cnmat.berkeley.edu

Publication

Musical Applications of New Filter Extensions to Max/MSP

T. Jehan, Freed, A., and Dudas, R., “Musical Applications of New Filter Extensions to Max/MSP”, in International Computer Music Conference, Beijing, China, 1999, pp. 504-507.

Musical Applications of New Filter Extensions to
Max/MSP

Tristan Jehan, Adrian Freed, Richard Dudas

CNMAT, UC Berkeley, 1750 Arch Street, Berkeley, CA 94709

(510) 643 9990 {tristan,adrian,dudas}@cnmat.berkeley.edu

Publication

Second-order recursive oscillators for musical additive synthesis

T. Hodes and Freed, A., “Second-order recursive oscillators for musical additive synthesis”, in International Computer Music Conference, Beijing, China, 1999, pp. 74-77.

Second-order Recursive Oscillators for Musical Additive
Synthesis Applications on SIMD and VLIW Processors

Todd Hodes, Adrian Freed

Computer Science Division
University of California, Berkeley
hodes@cs.berkeley.edu

Center for New Music and Audio
Technologies
University of California, Berkeley
adrian@cnmat.berkeley.edu

Publication

Communication of Musical Gesture using the AES/EBU Digital Audio Standard

A. Freed and Wessel, D., “Communication of Musical Gesture using the AES/EBU Digital Audio Standard”, in International Computer Music Conference, Ann Arbor, Michigan, 1998, pp. 220-223.

Communication of Musical Gesture using the AES/EBU
Digital Audio Standard

Adrian Freed and David Wessel

CNMAT, 1750 Arch Street, Berkeley, CA 94709

(510) 643 9990, {adrian,wessel}@cnmat.berkeley.edu

Publication

Music Programming with the new Features of Standard C++

A. Freed and Chaudhary, A., “Music Programming with the new Features of Standard C++”, in International Computer Music Conference, Ann, Arbor, Michigan, 1998, pp. 244-247.

Music Programming with the new Features of
Standard C++

Adrian Freed and Amar Chaudhary
CNMAT, 1750 Arch Street. Berkeley, CA 94709
(510) 643 9990, adrian@cnmat.berkeley.edu

Publication

Nonlinear Oscillator Models of Musical Instrument Excitation

X. Rodet, “Nonlinear Oscillator Models of Musical Instrument Excitation”, in International Computer Music Conference, San Jose, CA, 1992, pp. 412-413.

Nonlinear Oscillator Models of Musical Instrument Excitation

Xavier Rodet

ICMC 92, San Jos? (USA) 1992

Publication

Let's Develop a Common Language for Synth Programming

D. Wessel, “Let's Develop a Common Language for Synth Programming”, Electronic Musician. 1991.

Let's Develop a Common Language for Synth Programming

The time has come to establish synthesizer standards that go beyond MIDI

David Wessel

These pages have seen considerable discussion of the
programming (and non-programming) of synthesizers. The sad truth
is, many musicians never go beyond the factory presets. But there
are many synth programmers who strive for new sounds with more
expressive control.

Publication

DSP driver software for performance-oriented music synthesis systems

A. Freed and Gordon, K., “DSP driver software for performance-oriented music synthesis systems”, in International Computer Music Conference, Glasgow, UK, 1990, pp. 79-81.

DSP Driver Software for Performance-Oriented Music
Synthesis Systems

Adrian Freed, Keith Gordon
Center for New Music and Audio Technologies, Department of Music
1750 Arch Street, Berkeley, CA 94709
adrian@cnmat.berkeley.edu

Publication

A Digital Signal Multiprocessor and its Musical Application

J. - B. Barrire, Baisnee, P. - F., Freed, A., and Baudot, M. - D., “A Digital Signal Multiprocessor and its Musical Application”, in 15th International Computer Music Conference, Ohio State University, 1989, pp. 17-20.

A Digital Signal Multiprocessor and its Musical
Application

Jean-Baptiste Barrière, Adrian Freed, Pierre-François Baisnée, Marie-Dominique Baudot

IRCAM, CNMAT

Database of Challenging Musical Sounds for Evaluation and Refinement of Pitch Estimators

Bring Your Own Control to Additive Synthesis

The Rebirth of Computer Music by Analog Signal Processing

Bi-directional AES/EBU Digital Audio and Remote Power over a single Cable

Musical Applications of New Filter Extensions to Max/MSP

Second-order Recursive Oscillators for Musical Additive Synthesis Applications on SIMD and VLIW Processors

Music Programming with the new Features of Standard C++

Nonlinear Oscillator Models of Musical Instrument Excitation

Let's Develop a Common Language for Synth Programming

The time has come to establish synthesizer standards that go beyond MIDI

DSP Driver Software for Performance-Oriented Music Synthesis Systems

A Digital Signal Multiprocessor and its Musical Application

Pages

Database of Challenging Musical Sounds for
Evaluation and Refinement of Pitch Estimators

Bring Your Own Control to
Additive Synthesis

The Rebirth of Computer Music by Analog Signal
Processing

Bi-directional AES/EBU Digital Audio and Remote Power over
a single Cable

Musical Applications of New Filter Extensions to
Max/MSP

Second-order Recursive Oscillators for Musical Additive
Synthesis Applications on SIMD and VLIW Processors

Music Programming with the new Features of
Standard C++

DSP Driver Software for Performance-Oriented Music
Synthesis Systems

A Digital Signal Multiprocessor and its Musical
Application