Event
The ZODIAC TRIO
Tue, February 14, 2012, 4:00am
Tuesday, February 14, 2012 - 04:00
General Price
$10.00
Student Price
$5.00
Archive
CNMAT Flashback
A look back at some items in our archives.
Event
Improv Weekend: Presentations from Jessica Bisset Perea, Ofer Gazit and Maya Kronfeld
Sun, March 17, 2013, 9:30pm
Sunday, March 17, 2013 - 21:30
Event
The Alices
Wed, June 19, 2013, 1:30am
Wednesday, June 19, 2013 - 01:30
Archive Browser
Publication
Music as HandWerk, the middle way between Vorhandenheit and Zuhandenheit
Publication
Musical Applications of New, Multi-axis Guitar String Sensors
Publication
Generic Panning Tools for MAX/MSP
Publication
Extensions and Applications of the SDIF Sound Description Interchange Format
Publication
Center for New Music and Audio Technologies (CNMAT): Studio Report
Publication
A New Music Keyboard featuring Continuous Key-position Sensing and High-speed Communication Options
Publication
An Open Architecture for Real-time Music Software
Publication
Analysis/Synthesis Comparison
Publication
CNMAT Studio Report
Center for New Music and Audio Technologies (CNMAT):
Studio Report
Richard Andrews
Center for New Music and Audio Technologies (CNMAT)
University of California, Berkeley
Abstract
Publication
Live interactive computer music and performance practice
A live‐performance musical instrument can be assembled around current lap‐top computer technology. One adds a controller such as a keyboard or other gestural input device, a sound diffusion system, some form of connectivity processor(s) providing for audio I/O and gestural controller input, and reactive real‐time native signal processing software. A system consisting of a hand gesture controller; software for gesture analysis and mapping, machine listening, composition, and sound synthesis; and a controllable radiation pattern loudspeaker are described.
Publication
A Fixed-Point Recursive Digital Oscillator for Additive Synthesis of Audio
Publication
An Open Architecture for Real-Time Audio Processing Software
Publication
Audio Applications of the Sound Description Interchange Format Standard
Publication
Cross-Coding SDIF into MPEG-4 Structured Audio
Cross-Coding SDIF into MPEG-4 Structured Audio
Matthew Wright, Eric D. Scheirer
Center for New Music and Audio Technologies, UC Berkeley,
matt@cnmat.berkeley.edu
Machine Listening Group, MIT Media Laboratory,
eds@media.mit.edu
Publication
Gestural Control of a Real-Time Physical Model of a Bowed String Instrument
Publication
The Center for New Music and Audio Technologies (CNMAT): Studio Report
Center for New Music and Audio Technologies (CNMAT) Studio
Report
Richard Andrews
CNMAT, UC Berkeley, 1750 Arch St., Berkeley, CA 94709
Publication
A Direct Adaptive Window Size Estimation Procedure for Parametric Sinusoidal Modeling
Publication
Virtual Digital Signal Processing in an Object-Oriented System
Publication
Timbre and the perceptual organization of musical patterns
Timbre, usually defined as the condition of attributes other than pitch, loudness, and duration, plays a strong role in determining the perceptual organization of musical patterns. Timbre's primary organizational influence appears to be on perceptual grouping, as in auditory stream segregation and rhythmic segmentation. Grouping by timbre can influence the tonal implications of otherwise ambiguous pitch material.
Publication