Archive

Synthesis and Control of Hundreds of Sinusoidal Partials on a
Desktop Computer without Custom Hardware

A. Freed, X. Rodet, Ph. Depalle

CNMAT, IRCAM

An Adaptive Conductor
Follower

Michael Lee, Guy Garnett, David Wessel

1. An
   Adaptive Conductor Follower
2. Conducting
3. Conductor
   Follower and Musical Instrument Control
4. Neural
   Networks for Conductor Following
5. Neural
   Networks for Tempo Tracking
6. Figure
   1. System Architecture
7. Figure
   2. Musician ArchitectureTraining
8. Conclusions

Introduction

Real-Time Neuro-Fuzzy Systems for Adaptive Control of Musical
Processes

Michael A. Lee, David Wessel

Abstract

Clear, Efficient Audio Signal Processing in ANSI C

Adrian Freed

Improving Graphical User Interfaces for Computer Music
Applications

Adrian Freed

Introduction

This note is a plea to the computer music community to aim
higher in the development of new graphical tools and better
graphical user interfaces (GUIs) for computer music
applications.

Real-time Inverse Transform Additive Synthesis for Additive
and Pitch Synchronous Noise and Sound Spatialization

Adrian Freed

CNMAT, UC Berkeley, 1750 Arch Street, Berkeley, CA 94709

(510) 643 9990 x 308 adrian@cnmat.berkeley.edu

New Musical Control Structures from Standard
Gestural Controllers

Matthew Wright, David Wessel, Adrian Freed

Center for New Music and Audio Technologies, U.C.
Berkeley

{matt, wessel, adrian}@cnmat.berkeley.edu

Implementation and Performance Issues with
OpenSound Control

Matthew Wright

Center for New Music and Audio Technologies
1750 Arch Street,
Berkeley, CA 94709, USA
matt@cnmat.berkeley.edu

Open SoundControl: A New Protocol for
Communicating with Sound Synthesizers

Matthew Wright, Adrian Freed

Center for New Music and Audio Technologies, U.C.
Berkeley

{matt, adrian}@cnmat.berkeley.edu