Sound and Habitat Audio Prototyping Environment (SHAPE) is a collection of nature-inspired electroacoustic devices created for sound art in public spaces. It is part of an ongoing audio feedback research project at the Center For New Music and Audio Technologies. By repurposing old electronics and manufactured objects, low-cost materials are used to make interactive sound sculptures and musical instruments. Subtle gestures and actions by participants change the sound in real time.

In the Summer of 2018 CNMAT was awarded a grant to construct infrastructure for producing mobile, multi-channel concert events.  We set out to construct a surround audio system, designed with robust mobility in mind, that can be rapidly deployed in numerous performance contexts.  The result is the CNMAT Mobile Array, an expandable mobile infrastructure for sonic events.  The system is conceived to be deployed in under an hour by a small crew of one or two people.  Its speaker elements are weather protected to enable work outdoors and we have included a number of flexible rigging options to

Alice Unchained is a virtual chamber for chamber music. It is the third work loosely inspired by Alice in Wonderland, created by media artist Claudia Hart and composer Edmund Campion, Director, at the Center for New Music and Audio Technology, UC Berkeley. Alice mashes 3D animation, motion-captured live performance, and music performed by live and virtual musicians whose sound is analyzed in real-time and remixed in the bodies of sculptural avatars. It feeds-back the virtual and the live, blending them together in a liminal, uncanny mix.

Recent developments in Augmented Reality (AR) and Virtual Reality (VR) are opening up new, unprecedented ways of representation and interaction.