Archive

Part III

All audio files are from the archival recordings made during the performances at IRCAM in 1999. Vincent David, Sax, Marc Marder, Double Bass, Benoit Gaudelette, vibraphone and timpani

Trio

All audio files are from the archival recordings made during the performances at IRCAM in 1999. Vincent David, Sax, Marc Marder, Double Bass, Benoit Gaudelette, vibraphone and timpani

Part II

All audio files are from the archival recordings made during the performances at IRCAM in 1999. Vincent David, Sax, Marc Marder, Double Bass, Benoit Gaudelette, vibraphone and timpani

William Winant, Vibraphone
Julie Steinberg, Piano

Singing the lines (2008) for soprano, flute/piccolo, B-flat clarinet, double bass, percussion, and piano, 9’
music by Cindy Cox
text by John Campion
I. “Light changes”
II. “Walking, Naming It”

performed by Lucy Shelton, soprano
Berkeley Contemporary Chamber Players
David Milnes, conducting

Singing the lines (2008) for soprano, flute/piccolo, B-flat clarinet, double bass, percussion, and piano, 9’
music by Cindy Cox
text by John Campion
I. “Light changes”
II. “Walking, Naming It”

performed by Lucy Shelton, soprano
Berkeley Contemporary Chamber Players
David Milnes, conducting

for violoncello and live electronics
Hugh Livingston

Hubert Ho, piano
Hertz Hall
University of California, Berkeley
October 12, 2002

Adrian.
This is a quite strange coincidence in patterns parallel worlds in music?.
Let me know your thoughts.

Excerpt from CNMAT concert, 2004.

Live unedited recording of Edmund Campion's "Practice" for Orchestra and Computer as performed by the UC Berkeley Symphony Orchestra under the baton of Maestro David Milnes.

Engineering & Production: Edmund Campion, Jay Cloidt, John MacCallum

OutsideMusic-CD.mp3
The San Francisco Contemporary Music Players, David Milnes conductor

Studio produced computer music by Ushio Torikai, with analysis and synthesis by David Wessel. Produced at IRCAM in 1985, released on the CD "Go Where" (Victor, VDR-1026), by Ushio Torikai.

Excerpt from CNMAT concert, 11.14.1996

Shafqat Ali Khan is an exuberant improviser and well grounded in the khyal style of North Indian classical vocal music. David Wessel is a computer musician and creates software for improvisational contexts in which he performs.

Excerpt from CNMAT concert, 11.14.1996

Shafqat Ali Khan is an exuberant improviser and well grounded in the khyal style of North Indian classical vocal music. David Wessel is a computer musician and creates software for improvisational contexts in which he performs.

Excerpt from CNMAT concert -- 6.23.2000

Georg Graewe, piano,
George Marsh, percussion,
David Wessel, live electronics

Excerpt form CNMAT concert -- 11.20.2000

Georg Graewe, piano,
George Marsh, percussion,
David Wessel, live electronics

Excerpt from CNMAT concert -- 6.20.2000

Georg Graewe, piano,
George Marsh, percussion,
David Wessel, live electronics