Archive

Collaborative Research Seminar HI 295

Carmine Cella

Music; Center for New Music and Audio Technologies

Lisa Wymore

Theater, Dance & Performance Studies

Greg Niemeyer

Art Practice; Berkeley Center for New Media

WHAT ROLE WILL THE ARTS & HUMANITIES PLAY IN THE FUTURE OF OUR

TECHNOLOGICALLY DRIVEN WORLD? What does data feel like, how does it touch us, and how do we

touch it? Who is influencing our machines with regard to how they see and understand the human

The Eco Ensemble presents the 2021 Berkeley New Music Project.

Now Streaming on YouTube: https://youtu.be/bmkoEbxD3EE

Filmed during pandemic in Hertz Hall, April 18, 2021. 

Program: 
Screaming Shapes (2017) by Peter Shin
Obstructive Durations (2020) by Alfred Jimenez
Secular Love (2020) by Adrián Montúfar
Untitled (2019) by Nathan Corder

Joins the team at the Norwegian University of Science and Technology NTNU as Associate Professor in Music Technology. Along with her commitment to creating dynamic and inclusive courses in Sound Art and Music Technology, she will be pursuing interdisciplinary research into the design of textural sonic environments and collaborating with colleagues to explore unstable performance systems.

LINK TO PERSONAL WEBSITE

The CNMAT newsletter for Spring 2021 is available here.

***NOTE: This is an online only event. For more info, click here.***

This event premieres SUN, MAY 23,  2021 @3PM Pacific and is available on demand through JUNE 23, 2021.

Please note the following programmatic and personnel changes: 15 eyes by Jon Yu will not be performed on this concert. IMY/ILY by Amadeus Regucera has been added to the program. Percussionist, Andy Meyerson is soloist. 

We are pleased to announce the release of odot version 1.3, which can now be downloaded directly through the Max Package Manager.

In addition to numerous enhancements, improvements, and bug fixes, this release contains a 12-part tutorial that covers many of the most important aspects of odot programming. This tutorial, based on years of experience using odot in practice and pedagogy, is a great entry point for new users, as well as an invaluable reference for paradigmatic solutions to common problems in media/arts programming.

CNMAT welcomed Paul Dresher and Joel Davel Invented Instrument Duo to CNMAT on May 25, 2021 for a concert and lecture on the lawn at 1750 Arch Street.  We look forward to the video documentation being posted on the CNMAT Youtube channel soon.

The CNMAT newsletter for Spring 2021 is available here.

SFCMP Director Eric Dudley speaks with composer, and CNMAT Director, Edmund Campion about the first concert in a new collaborative series with SFCMP.  

Access the 10' conversation on the San Francisco Contemporary Music Players website (link).

Join SFCMP and CNMAT for the next Program set for December 19, 2021, presented at Root Division, San Francisco 

*Hallie Smith – Seeded Fruit, for electronics (6’30”)

Matt Schumaker (UCB Ph.D. 2015) joins the Arts Division of UC Santa Cruz as Assistant

Professor in Music, continuing his artistic research and teaching in the areas of computer

music and music technology.

Website: https://mattschumaker.com/

Schumaker composes concept-driven music arising from computer-assisted composition

and interactive computer music research, a practice that often joins musicians with

bespoke computer technologies in live performance. His work emerges from a parametric

Professor Carmine Emanuele Cella has been invited to deliver a distinguished lecture at the Center for Interdisciplinary Research in Music Media and Technology (CIRMMT) located at McGill University. The lecture at CIRMMT will take place 4 October 2021.