Archive

Quick links to core software and library resources for Berkeley students and faculty.

Download free softwares suites available to all students and faculty at UC Berkeley.
UC Berkeley campus IT resources: http://technology.berkeley.edu/, http://bconnected.berkeley.edu/

Access and download courses, listen to events about all things Berkeley.
Berkeley iTunes: http://itunes.berkeley.edu/

Download the latest version of git from here: http://git-scm.com

Graphical front ends can be found here: http://git-scm.com/download/gui/mac

Read more about git here (the first 3 chapters are enough to get going): http://git-scm.com/book/en/Git-Basics-Recording-Changes-to-the-Repository

Quick reference for using GIT by Alex Zeitler (https://github.com/AlexZeitler/gitcheatsheet.git)

Git-ting started documentation:

http://git-scm.com/book/en/Getting-Started
http://git-scm.com/book/en/Git-Basics
http://git-scm.com/book/en/Git-Branching

http://www.klingbeil.com/spear/

Steps to create a sinusoidal analysis file with SPEAR:

1. File -> Open, then choose sound file from disk. Leave 'Sinusoidal Partial Analysis' at the defaults. You have the option to choose a particular channel or mix all channels down for the analysis.

The Media Studio, also, commonly referred to as the Middle Studio, is ostensibly configured to support video production. It is located downstairs, immediately adjacent to the Machine Room.

Eric Chasalow has requested a colloquium spot sometime in March -- Ed

Gloria Chang will be Regent's lecturer at CNMAT and her talk should be included in Colloquium schedule

FALL 2011 Composer Colloquium Series:

Sept. 9 - 3pm Malika Kishino Colloquium, room 125

Sept. 19 (Mon) 8pm Lerdahl (Hertz Hall)

Sept. 30 - 4:30-6pm Lerdahl, room 125

Oct. 4 (Tues) - 5p-7pm John Luther Adams (at CNMAT)

Oct. 7 - 3-4:30pm Nicole Mitchell, composition colloquium, room 125

Oct. 14, 4:30-6pm Lerdahl, room 125

Oct. 28, 4:30-6pm Lerdahl, room 125

• Every Hertz Hall concert featuring graduate student work should include an acknowledgment of the John Thow Fund

BNMP/ECO Student Concert Coordinator (GSR) Duties and DescriptionsCUG General Contact: Matthew Schmaker

BNMP General Contact: Andres Cremisini
BNMP Concert Contact: Sivan Eldar

Here is a collection of tips and policies on presenting a concert at CNMAT, Hertz Hall, and on the road.

There are just a couple of things you need to meet in terms of public safety:

1). tape down any cable that crosses public pathways (including aisle stairs and in between row of seats)
2). at doors, run cable over the frame, not through the floor.

Assuming you are running the cable from the mixer (located somewhere center in the house), you have a couple choices on your cable route:

Please report any problems you experience with clear and complete information, including steps to reproduce, software and system information, and where possible, an isolated example patch and crash log. Something like the following would be ideal. This makes it easier for us to find and fix the problems you experience. Without

http://cnmat.berkeley.edu/system/files/attachments/Tech_Lecture1-29-10.mov

Click on the above link for a QuickTime video of a lecture by Jay Cloidt at Hertz Hall from January, 2010, on "Audio Tech in the Real World".

# Becoming a CNMAT user

- Users must become a member of the [cnmat:group/keyholders|CNMAT Keyholders Group.]

- Email [cnmat:node/504|Richard Andrews]

# Using the reservation system

The CNMAT main room, middle studio and rear studio need to be reserved before they are used. Priority is always given to the reservation-holder.

Before you can use the reservation system, the following must be satisfied:

- You must be a member of the Keyholders group.
- You must be promoted to the "content creator" role by a website user administrator.

This collection documents the bulk of CNMAT infrastructure and related activities; topics include facilities, equipment, computer systems, network infrastructure, CNMAT groups, and general policies.

• There is a semi-anechoic chamber (aka isolation booth) in the basement of Morrison Hall (Room 11). The isolation chamber is ideal for close mic sampling and any recording that requires near total sound isolation.

AUDIO TRANSFER

Ridji in the middle studio is set up alongside a dubbing station to serve as a place for doing all kinds of file format transfer. The user "aaaa Bogus student test user" with password "bogus"; this user has been optimized and all transfer software tested for transfers)

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Ridji Audio Transfer Station

**[inline-center:Recording from the Main Room 1.mov=This tutorial] explains thoroughly how to record from the main room into Peak. You can utilize many of the presented methods for recording into any DAW on the rear studio computer.**

#Standard connections

Here are instructions for setting up microphones and recording from the rear studio to PEAK.