A look back at some items in our archives.
Nathan Corder is an Oakland-based composer of works for electronics, objects, and arrays of people.
Alfred was born in Kyiv, Ukraine, with a Ukrainian mother and a Cuban father. After accomplishing his bachelor's exam in composition, Alfred continued with master studies in Malmö Academy of Music with Prof. Luca Francesconi. Alfred received his master's degree in spring 2015 after graduating with his second chamber opera "Clownen Jac".
Myra Melford, Professor of Music in the Department of Music is an Affiliate Artist at CNMAT. Professor Melford, a pianist, composer, and bandleader—whom the New Yorker called “a stalwart of the new-jazz movement”—has spent the last three decades making brilliant original music that is equally challenging and engaging.
Transparent yet richly multifaceted, Cindy Cox’s compositions synthesize old and new musical designs. The natural world inspires many of the special harmonies and textural colorations in her compositions, as in her piano trio la mar amarga, the octet Cañon, and the str
David Milnes presently serves as music director of the UC Berkeley Symphony Orchestra, conductor of the Berkeley Contemporary Chamber Players, and Director of the ECO Ensemble (Ensemble in Residence at CNMAT and the Department of Music). Ken Ueno is a Professor of Music in the Department of Music and an Affiliate Artist at CNMAT. He is a composer, vocalist, improviser, and sound artist. His music celebrates artistic possibilities which are liberated through a Whitmanesque consideration of the embodied practice of unique musical personalities.
Oakland, CA-based oboist Kyle Bruckmann tramples genre boundaries in widely ranging work as a composer/performer, educator and New Music specialist.
Claudia Hart emerged as part of that generation of 90s intermedia artists in the “identity art” niche, but now updated through the scrim of technology. Her work is about issues of the body, perception, nature collapsing into technology and then back again. Everything is fluid in it including gender.
Aditi Raja is an undergraduate researcher at CNMAT. She is currently a student at UC Berkeley studying Computer Science and Music.
Imran Sekalala is an undergraduate researcher at CNMAT. He is currently studying Data Science with an emphasis in Data Arts and Humanities. He is also minoring in Environmental Design. At CNMAT, Imran is working with Professor Edmund Campion on an upcoming release of the CNMAT Depot 2.0 software package with a focus on CNMAT Spectral Tools. Theocharis Papatrechas is a visiting Researcher and Composer at CNMAT through November, 2021. Composer, sound artist, improviser /piano, drums, electronics/ Eda Er is a composer, multimedia artist, and vocalist whose work integrates storytelling, sound, and visual media to explore themes of identity, belonging, trauma, and cultural heritage. She combines electronic music, classical composition, traditional Turkish visual arts, and installation with emerging technologies to challenge artistic boundaries. Jeremy Lee is a pianist, researcher, and a recent Computer Science graduate from UC Berkeley. At CNMAT, Jeremy primarily works with Professor Carmine Cella on developing software for music, particularly in the space of human-performed music. Jeremy’s most recent project at CNMAT was in developing a web application that gives real-time dynamics feedback to a musical performer. The project was an investigation of potential metrics an
Jeremy Hunt is a composer and creative technologist based in Oakland. After graduating UC Berkeley with a PhD in Music Composition with a Designated Emphasis in New Media in 2008, Jeremy embarked on a career in education administration, teaching, and pedagogy in the private education sector. George Papajohn (b. 1998 Milwaukee) is a composer and instrumentalist based in the San Francisco Bay Area. His recent work engages with latent tensions of identity held within the material, historical, and phenomenological aspects of sound. Han Zhang is a researcher in music technology and a composer. She received her MS degree in Electrical Engineering from Northwestern University, IL in 2020, and she is now working with Prof. Carmine E. Cella on music-technology-related projects and other creative works. Danniel Ribeiro is a Brazilian composer from Bahia. His compositional practice is driven by research and creative exploration, with a focus on exploratory instrumental writing and improvised performances supported by emerging technologies and informed by investigations into identity and multiculturalism.
Alessandro is an Audio Engineer Researcher who graduated in Mechanical Engineering (BSc and MSc) at Politecnico of Turin, Italy. During his Master's, he specialized in Vibration Mechanics, Acoustics, and Psychoacoustics with a Thesis project on Binaural Recording. Alessandro works at CNMAT with Professor Carmine Emanuele Cella on a project focused on modeling an augmented instrument. Marlon Schumacher is full professor for Music Informatics at the Institute for Music Informatics and Musicology (IMWI) of the Hochschule für Musik in Karlsruhe, Germany. He studied musicology and philosophy at the Eberhard-Karls-University in Tübingen, holds masters degrees (pedagogical and artistic) in music theory, digital media and composition from the HFMDK Stuttgart, and a PhD in Music Technology from McGill University, Montreal, Canada.
Alfred Jimenez
Myra Melford
Cindy Cox
David Milnes
Ken Ueno
Kyle Bruckmann
Claudia Hart
Aditi Raja
Imran Sekalala
Theocharis Papatrechas
Rafal Zapala
post-doctorate degree (habilitation) /composition/
associate professor at Academy of Music in Poznan
Eda Er
Jeremy Lee
Jeremy Hunt
George Papajohn
Han Zhang
Danniel Ribeiro
Alessandro Frullani
Marlon Schumacher
Pages